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Received today — 2025年6月4日阅读
Received yesterday — 2025年6月3日阅读

严歌苓《妈阁是座城》

作者吴杰
2025年6月3日 17:34
严歌苓《妈阁是座城》封面

这几天在读严歌苓的书——《妈阁是座城》。讲述的是一个女叠码仔梅晓鸥和一众赌徒之间的爱恨情仇。

关于这本书的名字,一开始我也不知道是什么意思,读了之后才懂,原来“妈阁”就是指的澳门。这本书正是围绕澳门的赌场展开。

叠码仔,通过看书才知道,就是在赌厅和赌徒之间的掮客,通过介绍客人获得码佣。除此之外,如果客户玩“拖”——明面上和赌厅赌,暗地里和叠码仔赌,比如拖三,就是这个赌徒赢一百,叠码仔要输给他三百,叠码仔相当于一个暗庄。

本书中的主角梅晓鸥在青春靓丽的年华,被一个赌徒骗了,骗到拉斯维加斯,后来又被安置到妈阁,因为这个赌徒的家在美国,所以要把她安置的远一点。

就这样,晓鸥来到了妈阁,为了养活自己和母亲以及和赌徒卢晋桐的儿子,后来干起了叠码仔。期间认识了一个叫老刘的人,这个人给她介绍了一些优质的“客户”,有史奇澜、段凯文等。这些人都是成功人士,有大把资产和钱。

史奇澜经营家具厂,有一双会雕刻贵重木材的手,他嗜赌成性,欠梅晓鸥一千三百多万。后来通过拉拢远房表弟去越南赌,成功把债务转嫁到远房表弟身上,用表弟的钱还了梅晓鸥九百五十多万。

段凯文,一个清华高材生,地产大佬,资产过亿,但是因为赌博,欠了叠码仔梅晓鸥三千多万。这个人不仅仅欠晓鸥的钱,他在认识晓鸥之前就赌,后来知道,找到晓鸥是为了换个赌庄想赢钱,拆东墙补西墙,最后墙没补上,还欠了晓鸥。这个人最后来到妈阁打算搏最后一周,结果不但没赢,反倒最后总共欠债一亿多。这个人是这本书里最彻头彻尾的混蛋,真的是没有一句话能信。最后的结局是出老千被抓,被遣返回大陆处理。

倒是史奇澜最后挺让人意外,在老婆孩子离开他之后,他变了,戒掉了赌博。两年多的时间里,在梅晓鸥的帮助下,彻底地变成了好人。

读这本书,让人看到了赌博的可怕,真的好可怕,不论你或穷或富,沾上必完!一定要远离之。

读到这本书281页的时候,突然意识到,现在对于孩子的教育,知识并不是最重要的,最重要的是要辨善恶,明是非。孩子早晚是要脱离自己的,未来的路要靠自己走,只有有一个正确的价值观,才能避免这些问题‼

读这本书的过程中,突然很想听一首歌——阿桑的《温柔的慈悲》,至于为什么,我也不知道,感觉这首歌作为这本书的BGM真的很有感觉,大概是主角梅晓鸥的性格使然?梅晓鸥对与赌徒的感情是怜悯的、复杂的,就像史奇澜,在他最穷困潦倒的时候,曾多次劝他戒赌,在这个追债和劝诫的过程中,滋生出一丝丝的情愫,甚至多次要把一千三百多万的债务一笔勾销,但是老史执意要还,最后通过曲折的方式还了她。

这本书大概是我读的最快的一本,严歌苓的细腻笔触加之情节的波澜起伏,真的让人欲罢不能。读严歌苓的书是一种享受,享受之余被书中的故事深深的震撼。

另外,这本书被拍成了同名电影《妈阁是座城》,2019年上映,演员阵容挺强大,有刘嘉玲和曾志伟,优酷可以观看。

Received before yesterday阅读

How a Small Mexican Town Became My Template for the Ideal Place to Live

2025年6月2日 09:17

We’ve been living in Valle de Bravo – a mountain town a couple of hours outside Mexico City – for 9 months now.

I’ve lived in 5 countries for at least 6 months each, and traveled in another 20, and I think this is the most perfect place I’ve ever encountered for an expat family to live.

It’s so perfect, in fact, that I think it can actually serve as a template for finding other great places to live around the world.

After months of reflecting on what makes this place so special, I’ve identified 13 criteria (and one bonus criterion) that create the magic. 

What’s fascinating is that these aren’t just random qualities – they work together as a system, each element reinforcing the others to create something truly extraordinary.

1. Right Distance from a Major City

A 2-3 hour drive outside a major city is the perfect distance.

It’s close enough that you can drive in for the day or the weekend, yet far enough that people can’t commute daily. This creates a rooted community instead of a bedroom suburb.

We love being relatively close to Mexico City and everything it offers, but we don’t feel like we have to go there to access people, culture, or entertainment.

I’ve also met some of the most fascinating people ever here – artists, writers, poets, spiritual guides, entrepreneurs, permaculturalists, and creators working remotely.

2. Mountain Location

The mountains are objectively a wonderful place to live.

You get milder weather, fewer mosquitos, tons of nature, and cold nights to cozy up in bed. Plus activities like hiking, horseback riding, and camping.

The mountains also keep it from developing too much and maintain the region’s rural and outdoorsy character, with that small town feel.

Valle is a world-class destination for paragliding, waterskiing, and other outdoor activities, located in one of the few mountainous, temperate regions of Mexico.

3. Water Access

A lake provides recreational activities like swimming, sailing, powerboating, and waterskiing. It also creates beautiful waterfront views.

Research consistently demonstrates that proximity to water bodies leads to higher levels of mood improvement and stress reduction compared to other natural environments. The sights, sounds, and even smell of water provide a calming sensory experience that promotes a uniquely positive state of mind.

Valle is well known for its lake. Lots of people water ski most weekends throughout the year.

4. Tourism and Wealth

This may not seem desirable, but a certain level of tourist influx brings benefits.

There’s likely to be more investment in the town, interesting people coming and going, and more amenities like restaurants, grocery stores, and paddle courts than there’d be otherwise. People are also more likely to visit you.

All the more so if it’s also a wealthy enclave. Valle has a population of around 100,000 that doubles during busy weekends, since many people have weekend houses there. But it rarely feels crowded.

5. Few Foreigners

Our main goal in moving abroad was to immerse our kids in the Spanish language and Mexican culture. I know from living abroad before that this really only happens if there aren’t too many Americans around.

Valle has surprisingly few foreigners living there. It seems like it’s kind of an undiscovered secret for Mexico City families.

6. Warm Culture

Mexico has to be one of the warmest cultures anywhere. We’re constantly surprised by how completely open and generous everyone we meet is.

Especially the families at our kids’ school, who have become our closest friends.

It’s like rewinding the clock to a time before smartphones and the Internet. People greet each other, even strangers treat you like a human, everyone knows each other, and it’s easy to make friends.

At a restaurant, if a kid is crying, a waitress will pick them up and carry them around. They’re happy to give you an extra condiment without charging you for it.

I love that we’re raising our kids in a culture that teaches them how to be warm and open, with a background level of trust between people.

7. Airport Distance

You might think you want an airport nearby, but many of the positive qualities above exist because it’s not too easy to get here.

There’s an airport in Toluca, an hour away, but it’s not international. So you have to drive to one of the international airports in Mexico City, around 2-3 hours away.

8. Low Labor Costs

The single most life-changing part of moving to Mexico has been getting full-time help.

My wife and I save probably several hours a day because our help does all the cooking, cleaning, laundry, and sometimes watches the kids.

We spend all this extra time on exercising, resting, sleeping, art, hobbies, socializing, and hanging out with the kids – all things we had much less time for living in Southern California.

We pay probably double the local going rate, and it’s still remarkably cheap for us. About $137 per week for 40 hours (or $3.40 per hour).

9. Slow Lifestyle

Part of our motivation for moving abroad was to deprogram ourselves from the work-centric life we adopted in the San Francisco Bay Area and Los Angeles.

We found it simply impossible to do this living in Southern California. As long as everyone else was work-centric, there was nothing to do and no one to hang out with!

A core part of that work-centric mindset is an addiction to speed. We found we couldn’t slow ourselves down when everything around us was trying to speed us up.

Every place has a background tempo that dictates the underlying speed of everything within it. I think the only truly effective way to change your tempo is to change your environment.

Mexico, and especially small Mexican towns like Valle, operate at a fundamentally different pace than the US. The cultural emphasis is on relationships and enjoying life rather than maximizing productivity at all costs.

10. Similar Time Zone

If you’re from the US and do business there, you’ll probably want to be in a similar time zone.

This facilitates so many things, from scheduling calls easily to not having too much jet lag when you visit home.

It’s also a bonus if you can get back to the US in just a few hours and have connections to different places within the US. This means Mexico and Central America are ideal!

11. Strategic Inconvenience

In the US, we’re constantly driving toward efficiency, which mostly means removing people from the process. This results in a highly efficient society in which everyone feels alone.

In Mexico, they just throw people at every problem. It isn’t optimized, but there are so many people around, it’s way more fun!

Resisting that drive toward efficiency and convenience is nearly impossible as an individual, and even more difficult as a family, because you seem strange for actively resisting things being too easy.

I’m happy to be raising my kids in a place where there’s still friction, still humans you “have” to deal with, where you literally can’t go it alone to accomplish anything of significance. Relationships are the central element in life.

Part of this is also having a tolerance for risk. We live in a bubble-wrapped, liability-waiver, hyper-sensitive culture, especially when it comes to children. We’ve forgotten how to let them rough it up and find out for themselves.

Paradoxically, as my wife put it, we “overvalue” life to such a degree that we end up devaluing life, by refusing to allow our kids to face its risks.

It’s very hard to intentionally expose your kids to risk, though – you have to move somewhere where the environment provides it. We love that in Mexico, kids are an integral part of every activity. They’re not in a separate world where everything is anesthetized and infantilized.

12. Good Schools

This is probably the crux if you have kids, because good schools are hard to find anywhere. I would start your whole search for a location on this basis.

Valle has several great options, including (incredibly for such a small town) a Montessori and Waldorf school.

High school is harder, and some families move to Mexico City when their kids reach that age. But there are a couple of good options and additional ones on the way as more people settle permanently in town.

13. Good Weather

This is also a good starting point for your search, as weather defines so much of daily life. Obviously you’ll want somewhere without too many extremes.

Valle has year-round spring-like weather, except for an intense rainy season from June to September. But that just gives us the perfect excuse to travel in the summer, as many families do.

14. Artistic Culture (Bonus)

I don’t consider this essential, but Valle has a wonderfully artsy vibe. It was the “Woodstock of Mexico,” hosting a huge concert in 1971 that introduced rock ‘n roll to the mainstream.

This makes it unusually rich in all kinds of art, music, dance, and even psychedelic medicine. It’s more open-minded generally than most places in Mexico, all of which we enjoy immensely.

Finding Your Own Valle de Bravo Around the World

After thinking through these criteria systematically, I discovered dozens of other towns that fit this template. Here are some of the most promising options (courtesy of Claude 4):

In Mexico

Malinalco, Estado de México 

  • 2 hours from Mexico City Mountains: Dramatic cliffs, mystical pre-Hispanic sites 
  • No lake but swimming holes and streams 
  • Wealthy weekend enclave for Mexico City families 
  • Very few foreign residents 
  • Traditional Mexican pueblo culture 
  • Labor costs comparable to Valle 
  • Extremely slow-paced, artistic community 
  • Good private school options emerging

Zacatlán de las Manzanas, Puebla 

  • 3 hours from Mexico City, 2 from Puebla 
  • Mountains: Pine forests, apple orchards 
  • Lake: Presa de Tenango nearby Mexican tourist destination (famous for apples/cider) 
  • Almost no foreign residents 
  • Warm provincial Mexican culture 
  • Very affordable labor 
  • Traditional, family-oriented lifestyle 
  • Growing educational options

Real de Catorce, San Luis Potosí 

  • 3 hours from San Luis Potosí (with airport) 
  • Mountains: High desert mountain town 
  • No lake but stunning desert landscapes 
  • Mystical/spiritual tourism, wealthy Mexican visitors 
  • Few permanent foreigners despite tourism 
  • Deep traditional culture Very low labor costs 
  • Contemplative, artistic atmosphere 
  • Alternative education options

Tapalpa, Jalisco 

  • 2 hours from Guadalajara Mountains: “Pueblo Mágico” with forests
  • Lake: Presa del Nogal 
  • Guadalajara’s weekend retreat 
  • Minimal foreign presence 
  • Traditional Jalisco hospitality 
  • Affordable labor 
  • Outdoor-focused, slow lifestyle 
  • Good local schools

Cuetzalan, Puebla 

  • 3 hours from Puebla city 
  • Mountains: Cloud forest, coffee region 
  • Waterfalls instead of lakes 
  • Cultural tourism but few foreign residents 
  • Strong indigenous Nahua presence 
  • Incredibly warm community 
  • Very low labor costs 
  • Traditional, market-town pace 
  • Local schools with cultural programs

In Central America

Suchitoto, El Salvador 

  • 1.5 hours from San Salvador 
  • Mountains: Overlooking Suchitlán Lake 
  • Lake: Lago Suchitlán (country’s largest) 
  • Arts/culture destination for wealthy Salvadorans 
  • Almost no permanent expats 
  • Warm Salvadoran hospitality 
  • Very affordable labor 
  • Artistic, slow-paced colonial town 
  • Emerging private school options

Gracias, Honduras 

  • 3 hours from San Pedro Sula 
  • Mountains: Celaque National Park 
  • Hot springs instead of lakes 
  • Honduran tourist destination 
  • Virtually no foreign residents 
  • Traditional Lenca culture influence 
  • Extremely affordable 
  • Quiet, colonial atmosphere 
  • Local schools improving

Matagalpa, Nicaragua 

  • 2 hours from Managua Mountains: Coffee highlands 
  • Rivers and waterfalls 
  • Nicaraguan tourist/coffee region 
  • Very few expats 
  • Warm mountain culture 
  • Lowest labor costs 
  • Coffee-farming lifestyle pace 
  • Several school options

Volcán, Panama 

  • 1.5 hours from David 
  • Mountains: Volcanic highlands 
  • Streams and rivers (no lake) 
  • Wealthy Panamanian retreat 
  • Some retirees but families can find Spanish immersion 
  • Indigenous Ngäbe influence 
  • Reasonable labor costs 
  • Agricultural, outdoor lifestyle 
  • Good private schools

San Agustín Lanquín, Guatemala

  • 3 hours from Guatemala City
  • Mountains: Limestone caves region
  • River: Cahabón River (turquoise pools)
  • Growing eco-tourism, Guatemalan visitors
  • Few permanent foreign families
  • Q’eqchi’ Maya culture
  • Very affordable
  • Nature-based, slow lifestyle
  • Community schools with cultural programs

In the United States and Canada

Nelson, British Columbia, Canada

  • 3 hours from Spokane, WA (airport)
  • Mountains: Stunning Selkirk Mountains
  • Lake: Kootenay Lake (magnificent)
  • Tourist/wealthy enclave: Vancouver families’ mountain retreat
  • Warm Canadian mountain culture (surprisingly bohemian)
  • Slow, artistic, non-work centric lifestyle
  • Good Waldorf school + alternatives
  • Great weather (for Canada)
  • Pacific Time Zone
  • Missing: Low labor costs, foreign language immersion

Salida, Colorado, US

  • 2.5 hours from Denver
  • Mountains: Arkansas River Valley, 14ers all around
  • River town (Arkansas River) rather than lake
  • Wealthy outdoor enthusiast enclave
  • Warm, artistic community vibe
  • Deliberately slow, “simple life” culture
  • Growing alternative school scene
  • 300+ days of sunshine
  • Mountain Time Zone
  • Missing: Low labor costs, foreign culture, major language immersion

Joseph, Oregon, US

  • 3.5 hours from Boise (a stretch, but worth it)
  • Mountains: Wallowa Mountains (“Alps of Oregon”)
  • Lake: Wallowa Lake
  • Tourist destination, Portland/Seattle wealthy retreat
  • Genuine cowboy/artist culture mix
  • Extremely slow-paced, no chain stores
  • Small but good school
  • Beautiful weather, real winters
  • Pacific Time Zone
  • Missing: Low labor costs, foreign culture, close to major city

Sandpoint, Idaho, US

  • 2 hours from Spokane
  • Mountains: Selkirk and Cabinet ranges
  • Lake: Lake Pend Oreille (huge, gorgeous)
  • Wealthy Seattle/California exodus destination
  • Surprisingly warm, outdoorsy culture
  • Anti-corporate, slow lifestyle ethos
  • Waldorf school + good public schools
  • Four real seasons
  • Pacific Time Zone
  • Missing: Low labor costs, foreign culture

Rossland, British Columbia, Canada

  • 2.5 hours from Spokane
  • Mountains: Ski town in the Monashees
  • No lake but close to Christina Lake (30 min)
  • Weekend destination for Vancouver/Calgary families
  • Small, tight-knit community
  • Extremely slow, outdoor-focused
  • Good elementary, high school requires creativity
  • Snowy winters, perfect summers
  • Pacific Time Zone
  • Missing: Low labor costs, foreign immersion

The System Behind the Magic

Strangely enough, the mountain town I lived in for a year when I was 14 – Campos do Jordão in Brazil – meets most of these criteria as well. It’s a few hours outside São Paulo, in the mountains, a tourist destination and wealthy enclave, with a warm and inviting culture.

The year we spent abroad there was so formative for me, I think I’ve subconsciously tried to recreate as many of those conditions as possible for my kids, but in Mexico.

What I’ve learned is that these criteria work together as an interconnected system. The distance from a major city creates the rooted community. The mountains provide the natural beauty and limit overdevelopment. The tourism brings investment and interesting people. The culture provides immersion and different values.

Each element reinforces the others to create something greater than the sum of its parts.

The real insight isn’t just about Valle de Bravo – it’s about understanding what creates the conditions for the kind of life you actually want to live, then systematically looking for places that provide those conditions.

What would your criteria be? What kind of life are you trying to create, and what environmental conditions would support that vision?


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The post How a Small Mexican Town Became My Template for the Ideal Place to Live appeared first on Forte Labs.

徐贵祥《历史的天空》

作者吴杰
2025年5月28日 12:46
徐贵祥《历史的天空》封面图片
徐贵祥《历史的天空》封面图片

这本书在去年冬天就开始读了,但是中间停了很长时间,不是因为没有时间,而是因为读不下去。当时刚从严歌苓细腻的笔触中走出来,猛地换一个粗犷风格,有点适应不了。

真正地开始读这本书,也就是最近两个星期,是接着之前读的100多页开始读的,每天读一点,读了没几天,就一发不可收拾,越读越快,在今天上午,彻底读完。喜欢这本书,不是因为文笔,不是因为技巧,完全是因为情节。

读完后,真的,有点意犹未尽,心里在想,就这么结束了?

这是我读的第一本战争题材的小说,书中主要描述了梁必达(梁大牙)、陈墨涵、韩秋云、张普景、朱预道、窦玉泉等一批军人从抗日战争、国共内战到抗美援朝、文革等这一历史天空下的爱恨情仇。其中重点描写了主角梁大牙的个人成长经历,从一个一无所知的农民泥腿子成长为一个军区司令员的故事。

梁大牙迎亲路上,在蓝桥埠遭到了日军轰炸,火光中逃出四个年轻人。想投国军的梁大牙意外地被新四军收留,想投新四军的同乡陈墨涵却被国军抓差。因为错位,所以各有不甘,由此小说充满了悬念。小说叙述了以梁大牙、陈墨涵、为代表的一代人,在抗日战争、解放战争、抗美援朝战争、文化大革命直至新时期的生命历程,如实描绘了自二十世纪三十年代开始的近半个世纪复杂多变而又跌宕起伏的革命历史,塑造了一批性格鲜活,可敬可感的平凡英雄。

《历史的天空》始终将目光聚集于个体的人在与战争与政治的多重纠葛和激烈碰撞中的复杂境遇和传奇经历,在种种历史的偶然背后,显示出了历史的必然,曲折地演绎了主人公从一草莽到高级将领的性格史和心灵史,从而以鲜活强悍的性格和人格的光芒照亮了苍茫深邃的历史的天空,丰富了当代战争文学的人物画廊。

错位的人生,平凡的英雄。向历史致敬!向英雄致敬!

另外,这本书被拍成了同名电视剧《历史的天空》,于2004年8月1日首播,电视剧里,主角“梁大牙”被改名为“姜大牙”。

降噪耳机

作者吴杰
2025年5月21日 09:36

前几天趁着淘宝618+国补,入手了一个降噪耳机,深度体验了几天后,真的后悔,后悔没早买。

airpods4 anc

戴上后,基本可以隔绝大多数的噪音,瞬间安静。终于可以再次保持专注了。

这两年来,随着年龄变大,烦心事变多,再加上小城的喧嚣,总是很难保持专注,为此苦恼很久。随着三宝的长大,一到放学或周末,“鸡飞狗跳”这个词就具象化了起来。

这个降噪耳机对我来说简直就是一个神器,能让烦躁的内心暂且安宁一会,心烦了,耳机一戴,降噪一开,爱谁谁🤷‍♂️

一个意外的收获是,我耳鸣了一年多的左耳,竟然奇迹般地好了,不知道是什么原理。

What J Dilla and Early Hip-Hop Teach Us About AI and the Future of Creativity

2025年5月19日 23:46

In 1997, a young hip-hop producer from Detroit named J Dilla did something that violated every rule in music: he programmed his drum machine to play “off beat.”

Not just slightly off, but deliberately off—breaking up the rigid timing that had governed musical performance in every genre.

What happened next confounded the music industry. Instead of sounding amateurish, the “wrong” beats created a revolution. They somehow felt more organic, more alive, and more expressive than anything else in electronic music up to that point.

Professional musicians couldn’t explain it. Hip-hop critics couldn’t categorize it. But listeners—particularly other producers and artists—couldn’t get enough of it.

And here’s the paradox that stopped me cold: Dilla used the most mechanical of tools—a drum machine—to create something that sounded profoundly, unmistakably human.

(I suggest listening to this playlist of J Dilla-produced songs on Spotify while reading the rest of this piece.)

I’ve been thinking about this story as I’ve watched the panic unfold around AI and creativity. Many cultural critics and artists paint a bleak picture. They warn of creative fields decimated by automation, of human imagination rendered obsolete, of a future where authentic human expression drowns in a sea of algorithmic content.

But what if they’re wrong?

What if new technology doesn’t destroy creativity but instead transforms it in ways we can’t yet imagine?

Recently, I found an unexpected source of insight into this question—a book about the life and innovations of that same hip-hop producer: Dilla Time by Dan Charnas.

As I learned about Dilla’s career, I couldn’t help but notice striking parallels to our current moment with generative AI. Here are seven insights drawn from the early history of hip-hop that challenge today’s techno-pessimism about AI and creativity:

1. Technology can create new creative forms that humans can’t

James Dewitt Yancey—known as Jay Dee and later as J Dilla—died in 2006 at the age of 32 from a rare blood disease called TTP, but his revolutionary approach to rhythm lives on. As Charnas puts it: “He is the only producer-composer to emerge from hip-hop and, indeed, all electronic music to fundamentally change the way so-called traditional musicians play.”

J Dilla’s innovation was impossible without the Akai MPC3000 drum machine. By deliberately manipulating the timing of drum hits, he created what Charnas calls “Dilla Time”—a style that juxtaposed even and uneven time-feels simultaneously, creating a pleasurable rhythmic friction that no human drummer could physically execute.

The parallel to generative AI is clear: while many fear AI will make creative work formulaic, it might instead enable entirely new forms of creative expression—forms that humans alone couldn’t accomplish due to our cognitive or physiological limitations.

2. The most innovative uses of technology often subvert its intended purpose

Drum machines were designed with a quantizing function to “correct” human timing errors using software. 

But J Dilla deliberately subverted this function. He turned off quantization or manually moved drum hits off a mathematically precise grid, creating beats that communicated emotion through “imperfect” rhythm.

This paradox—using a machine designed for metronomic perfection to create controlled imperfection—suggests that the most powerful innovations often come from subverting a technology’s intended purpose.

The most transformative uses of AI may similarly come from those who find ways to bend the technology, introducing controlled variations that make its output more distinctively creative and human.

3. New technology can reconnect us with ancient traditions

Surprisingly, Dilla’s innovation via digital technology represented a return to older forms of musical expression. His rhythmic approach reconnected with polyrhythmic traditions from West Africa, the Caribbean, and South Asia that had been marginalized by the conventions of European classical music for centuries.

As ethnomusicologists noted, Dilla’s rhythms broke through the European frame that colonialism had forced on much of the world’s popular music.

This challenges the narrative that technology alienates us from our authentic human nature. In this case, the drum machine allowed musicians to reconnect with complex rhythms that had been all but lost to history.

Similarly, AI might not lead us into a posthuman future but instead return us to our primal roots, surfacing ancient aspects of our psychology that were repressed by industrial-age modernity.

4. Creative relationships with technology evolve from conforming to bending

Early hip-hop producers conformed their creative process to their drum machines’ limitations, trying to make audio samples fit neatly into the rigid 16-pad time grid. But Dilla took a fundamentally different approach.

As DJ Jazzy Jeff observed: “Everyone in hip-hop had heretofore been trying to cut, splice, and jam samples to accommodate the machine’s time grid… But Jay Dee did the opposite: he bent the machine grid to accommodate his sample sources, because he was focused on using those samples for their rhythmic and harmonic feel.”

This evolution from conforming to technology’s rigid constraints to bending it to human intention is instructive. The earliest AI-generated art shows creators conforming to algorithmic limitations, but as these tools develop and creators’ technical understanding deepens, we’ll see more instances of the technology being bent to accommodate our visions.

This evolution from conforming to bending seems inevitable in every creative-technological relationship. It’s not a question of if professional creators will bend AI to their will, but when and how they’ll discover the equivalent of turning off quantization in their generative workflows.

5. New technologies create new creative specializations

J Dilla’s innovation created an entirely new category of musicianship. He wasn’t a traditional percussionist but what audio technology pioneer Roger Linn called a “sequencer player”—someone whose primary instrument was the programming of rhythmic time itself through digital interfaces.

Dilla made microsecond timing variations in ways that were impossible for human drummers, creating a new art form that required a new type of technical virtuoso.

We’re seeing the same pattern with generative AI. These tools are giving rise to new creative specializations: prompt engineers, AI image directors, model fine-tuners—emerging roles existing at the intersection of human aesthetics and machine capability.

Just as many classically trained musicians initially dismissed “sequencer players” as not being real musicians, we see traditional creative professionals dismissing these new AI-adjacent creative roles.

But these new creative forms don’t replace existing ones—they expand the total landscape of expressive possibilities. They are additions to our creative ecosystem, not wholesale substitutions within it.

6. Technological innovations transform how we value information repositories

Hip-hop pioneered sampling—taking segments of existing recordings and transforming them into new compositions. J Dilla elevated this practice using sophisticated digital techniques to chop, stretch, and manipulate audio samples into entirely new sonic arrangements.

This practice made certain information repositories—warehouses of obscure vinyl records from defunct labels—skyrocket in commercial value. Producers spent countless hours digging through dusty crates searching for unique drum breaks and bass lines no other producer had discovered.

We’re seeing this same pattern with generative AI, where specialized datasets have suddenly become incredibly valuable for training and fine-tuning. Collections of information previously overlooked in the pre-AI economy now hold tremendous monetary and strategic value.

This raises profound questions about creativity itself: Has human creativity ever truly been about creating from nothing? Or has it always involved recombining, transforming, and recontextualizing what came before us in novel ways?

7. Machine innovations feed back into human creative practice

Perhaps the most powerful lesson from J Dilla’s story is how his machine-enabled innovations transformed human musicians’ techniques. 

Professional performers like Questlove of The Roots and neo-soul keyboardist D’Angelo meticulously studied Dilla’s machine-made rhythmic patterns and learned to replicate them with traditional acoustic instruments, fundamentally rethinking their relationship with music in the process.

As Charnas describes: “Jay Dee could shift a drum’s position in time by programming it, and there it would remain. But Questlove had to counteract a lifetime of physical reflexes, to retrain his body to do things and feel time differently.”

A machine-made innovation forced one of the world’s most accomplished drummers to unlearn years of muscle memory and develop entirely new techniques. The drum machine wasn’t replacing the human musician—it was pushing human creativity into previously unexplored territories.

J Dilla’s innovations extended beyond hip-hop, influencing jazz orchestration, classical composition, and mainstream pop production. His work has been interpreted by symphony orchestras at Lincoln Center and studied in university music conservatories.

This pattern suggests something important about our AI future: the most significant impact of generative AI on human creativity may not be direct replacement of jobs, but how it challenges professional creators to develop new capabilities and aesthetic perspectives they wouldn’t have discovered otherwise.

Embracing the Meta-Creativity of the AI Era

If the evolution of music production technology and electronic instruments teaches us anything, it’s that new tools don’t eliminate human creativity—they transform it, often in ways that expand rather than contract the range of human creative expression.

But this technological transformation requires a specific creative approach.

J Dilla didn’t set out to revolutionize rhythm—he simply explored the creative possibilities of his MPC3000 with extraordinary dedication and meticulous attention to detail. His daily creative routine, as described by Charnas, involved rising at 7 am, cleaning his Detroit studio while listening carefully to newly-acquired vinyl records, and then making beats from 9:00 a.m. until noon. He created them “quickly, one after the other, finished them, and then moved on.”

I find this aspect of his disciplined practice particularly illuminating for our AI moment.

This combination of structured daily practice, deep listening to source material, and rapid iterative experimentation mirrors what the most innovative creators are now doing with generative AI tools. The truly groundbreaking uses of AI aren’t coming from those who simply prompt a model to create something and uncritically accept whatever it produces. They’re coming from those who engage in a sustained dialogue with the technology, who develop deep technical understanding of its capabilities and limitations, and who have a clear creative vision that transcends the particular tool itself.

What would a “J Dilla approach” to generative AI look like in your specific creative field?

What we should be looking for (and investing in) are not just incremental improvements in AI model capabilities, but the emerging meta-practices that leverage AI to create new forms of human-machine creative collaboration. These emerging practices might involve using AI to rapidly explore creative possibilities, to overcome specific technical obstacles, to challenge established aesthetic assumptions, or to handle routine aspects of production work so that human creators can focus on higher-level creative decisions and emotional subtlety.

The story of J Dilla reminds us that when a new technology enters a creative field, the most interesting developments often happen not at the center of that technology’s intended use but at its experimental edges—where innovative humans push it beyond its manufacturer’s instructions, bend it to their unique artistic vision, and in the process, discover entirely new dimensions of creativity.

Rather than fearing that AI will replace human artists, we should be asking more specific questions: What new forms of meta-creativity will emerge in the AI era? What new patterns of thought and creation – what new harmonies between human aesthetic intelligence and machine computational intelligence – might become possible through thoughtful collaboration?

The answer to these questions won’t come from the technology itself, but from the James Yanceys of our era—those visionary creators and artists who see in our new digital tools not a threat to human expression, but an invitation to expand it in ways we’ve yet to imagine.

And perhaps, just perhaps, that creator could be you.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post What J Dilla and Early Hip-Hop Teach Us About AI and the Future of Creativity appeared first on Forte Labs.

我和 Google AdSense 的故事

作者吴杰
2025年5月19日 10:33

网站挂广告这事,以前对我来说挺神秘的,因为我以前并不会做网站,后来会做了,也不知道该怎么去挂广告。

后来知道了,有个百度联盟,但是申请过多次,都没有通过,也了解过其它的联盟,要么就是要求高,要么就是看起来不太正规的小平台,无奈放弃,不了了之。

在去年年底的时候,又萌生了做网站的想法,于是尝试着做了一个工具站——虽然这种网站挺多的,但是胜在好维护不用总更新内容。

借助AI,很快网站便上线了。随后就又开始琢磨广告联盟的事。在一个开发者微信群里,无意间知道了 Google AdSense 这个全球最大的广告联盟,于是便尝试申请了一下。

申请后,需要 Google 审核,这个网站审核的时间比较长,接近一个月才有结果,期间,有人说新网站一般很难通过,但是最终的结果是我这个新网站却神奇的通过了。

这是我第一次成功地申请广告联盟,惊喜和意外之余,感觉网站挂广告也不是什么难事,Google 的广告联盟很接地气也很人性化,完全不像国内的广告联盟那样“傲慢”。

申请成功之后,就按照平台的指引,添加广告代码,很快网站上就显示广告了,为了方便省心,我使用了平台的“自动广告”,虽然这会导致页面看上去广告有点多。

至于收入,每天就只有1、2分钱,虽然不能指望它干啥,但这种被动收入的感觉还是很好的。

Google AdSense 收入

上图是接入 AdSense 近三个月以来的收入情况,平台的要求是满100元才能提现,照这个情况不知道要猴年马月……

最近 又把另外两个网站也申请了接入,一个是当前的博客,这个网站审核非常快,不到三天的时间就通过了,可能是老网站的原因?而另外一个网站却遭到了拒绝,原因是“低价值内容”,这个被拒绝的是一个纯技术博客,可能上面记录的技术笔记太简单了吧。

这就是我和 Google AdSense 之间的故事,文字止于此,但故事还在继续,有新的网站我会再次尝试申请,对于已通过的网站,也会持续改进优化。

如果你也想加入 Google AdSense,希望本文能帮助到你。

Introducing Death Clock (And My First Experience with Vibecoding)

2025年5月5日 10:00

I’m proud to introduce Death Clock, a life expectancy calculator that predicts the day of your death based on 17 personalized variables.

Give it a try for free!

This is not only the first “app” I’ve ever created myself, but also my first experience with AI-assisted coding, which has become known as “vibecoding.” 

I can definitively say this was one of the most eye-opening, impressive encounters with technology I’ve ever had, and it opened my eyes to a vast horizon of possibilities that I think AI-assisted coding will open up going forward.

Here are my observations and insights based on my first few hours of vibecoding.

Finding an entry point

One of the first things I look for when trying to learn a new skill is a good “entry point.”

Simply typing the topic into Google or YouTube is not smart, as it only results in a flood of mediocre-quality, clickbait-driven results. Instead, I look for a single, in-depth piece of content or a course taught by a qualified instructor with a strong track record of quality. Ideally, there’s also an accompanying community or discussion forum associated with it, so I can see what others are doing.

All these criteria were fulfilled when I signed up for my friend Nat Eliason’s new course, Build Your Own Apps with AI. One recent Saturday morning I started watching the instructional videos while my wife and the kids were sleeping in.

The course recommends the coding program Cursor. As I downloaded the desktop app and created an account, the complex-looking interface was already starting to intimidate me. I had downloaded IDEs (Integrated Development Environments) before, but since I have virtually no technical ability or knowledge, I always felt overwhelmed and confused by the unfamiliar interface and quickly gave up.

Here’s what the interface looks like in Cursor:

Cursor Interface

As I watched Nat’s videos, it soon dawned on me how incredibly straightforward and easy it was to create functional code using Cursor, for one simple reason: it draws on the formidable powers of leading LLMs.

As I began experimenting, I found that it wasn’t necessary to interact with any part of the software except for one: the ongoing chat with the AI. Although you can directly manipulate the code, navigate around the various project files, approve or reject individual edits, and issue commands in a terminal window if you want, none of that is strictly necessary. The AI can take all the actions itself.

Building Death Clock v1

After watching the first module of the course, I decided to go right ahead and try building something I actually wanted: a life expectancy calculator. 

I’m in the midst of writing my new book, on the art and practice of completing an annual life review, and I’m finding that one of the main themes of the book is reckoning with one’s mortality and limited time on the planet. It’s quite hard to take on that longer-term perspective day to day. But at least once a year, I think it’s incredibly valuable to do so. I was looking for a way to give readers a visceral, felt sense of how short life truly is.

I can write thousands of words about mortality and its ability to put our lives into proper perspective, but no volume of words compares to the power of a personalized, interactive tool that calculates your own expected date of death. It’s the difference between generic advice and an expiration date that takes into account your own unique life circumstances.

Living in Mexico has also exposed me to a very different attitude toward death than I’m used to in the US. Instead of something to be feared and the mention of it avoided, death is a much bigger part of the culture, from the ofrendas of Día de Muertos to the ubiquity of skeleton iconography to the constant awareness of ancestors. I want to make death something that people can talk about more openly.

And lastly, I turn 40 next week, so let’s just say that mortality is on my mind 😉

Working with the AI

I started my project by creating an empty folder, loading it up into Cursor, and asking it to “Build a web app that calculates someone’s life expectancy based on lifestyle factors.” That was it. There were no technical specifications, no feature requests, and no tech stack. Just a simple request made in natural language.

Cursor gives you the option to select which LLM you want to use, including all the leading models from OpenAI, Google, and Anthropic. I kept it on “auto-select,” which means it decided which model to use depending on the situation.

It proceeded to immediately build a full-fledged React project, which took several minutes and involved creating an entire structure of multiple interlinked files. I asked it to open the app in my web browser, and it prepared the file, which I just needed to double-click.

Here’s what that very first version looked like:

Death Clock version 1

So the app now existed, but with one tiny problem: there was no way to input any personal information! I asked it to add input fields for each of the lifestyle factors, and in a couple of minutes they appeared. I put in my own information as a test, and it spit out the results:

After only about 5 minutes, I already had a functional web app! This alone is astonishing, as I would have probably needed hours to get even this much up and running on my own. I thought back to my early web design efforts using Microsoft FrontPage as a teenager in the 90s, and how that experience was so daunting that I gave up on the endeavor altogether.

I spent the next several hours adding features, which amounted to no more or less than asking for them in the AI chat window and waiting. Here’s what I changed, one element at a time:

  • Added a total of 17 questions, encompassing various aspects of a person’s life that influence their life expectancy
  • Added an in-line BMI calculator, based on a person’s height and weight
  • Asked the AI to create a logo of an hourglass and place it at the top of the page
  • Had it try out a couple of styles, settling on a muted, grey and blue color scheme
  • Added some interesting outputs and observations related to life expectancy to the “results” page, based on the answers to the questions
  • Added a pie chart visualizing a person’s remaining lifespan (which required Cursor to download and install a new library, which it handled on its own)
  • Added a call to action to check out my website at the end
  • Set up a repository on GitHub and published the app using GitHub Pages, so I can share it with others

All this took about 3-4 hours, but I would estimate around half that time was spent waiting for the AI to do the work, or for the new version to deploy, so I could view it in a browser. While all this was happening, I hung out with the kids, washed dishes, took a shower, and got some reading done. Instead of requiring an all-encompassing, immersive day of obsessive learning, which is what I would have expected, I actually had quite a relaxing, balanced day!

There were only a couple of hiccups I encountered during this project. At one point, there was a bug that would make the whole screen go blank when I clicked the “Calculate Life Expectancy” button. Cursor asked me to copy and paste the error message from the console into the chat, but before I even did that, it guessed what the problem was and proceeded to fix it by itself. Here’s what that interaction looked like:

Screenshot of chat with Cursor about error

I sometimes had to perform actions beyond just clicking “accept all,” such as typing “y” into the command line to allow it to proceed, or typing in my computer’s root password to allow it to install something, so I did have to pay a bit of attention and look out for next steps.

A few times, a new feature didn’t work correctly the immediately, and required follow-up fixes, such as this first attempt at a pie chart:

Result screen with error

One of the most surprising parts of working with an LLM in a coding environment is that the AI has context and knowledge about many, many domains that have nothing to do with code. For example, at one point, I got stuck with the GitHub settings, so I just pasted a screenshot of what I was seeing into Cursor, and got a precise diagnosis of what was wrong, plus step-by-step instructions on how to fix it.

But it also goes beyond software. At one point, I asked Cursor to tell me how robust or evidence-backed a question about income level was, and in seconds, it pulled in an academic paper that examined exactly this question. It still had to simplify the correlation between income and life expectancy into a multiple-choice question, but knowing there was at least some validity to this question gave me the confidence to move forward.

I kept assuming I would hit a roadblock and have to switch to a “real” LLM to do more serious research, planning, or structuring of questions. But that wasn’t the case: the LLMs that Cursor is drawing on are exactly the same ones you’d have access to via ChatGPT or Claude, so there’s no need to leave.

That also means that Cursor can do design work. I asked it to create a visual style reminiscent of the blocky, 8-bit graphics of early Nintendo games, but with a death-themed, macabre look. It instantly understood the assignment, using red and black to convey the right feeling:

Alternate design

I decided that look wasn’t quite right, so I had it pivot to a cleaner, more modern style. Here’s what that interaction looked like, replacing probably hours of work:

Design instructions

The ability to pivot on a dime like this and effortlessly try out a completely new direction is astonishing. Small experiments and whimsical curiosities can be indulged and tested without expending significant time or effort.

My 4 takeaways from vibecoding

This first experience of a few hours of vibecoding left me with 4 takeaways:

  • Learning to code is now optional
  • The new bottleneck is how you spend the time that’s saved
  • Software is the new frontier of book publishing
  • We’re entering a more impressionistic era of creation

Learning to code is now optional

Over the years, I’ve considered whether I should build an app many times. I live in the world of tech and software, and in many ways, the ability to create a new software tool is the pinnacle of agency in that world.

Yet every time, I’ve decided not to pursue building an app, either because I lacked the time to learn it myself, or didn’t want to spend the thousands of dollars it seemed to require to even build something basic.

But now, in a matter of hours and at almost zero cost, I can build something that’s genuinely useful. I didn’t learn anything about coding, but I think that’s overall a good thing. Learning can be fun and is certainly useful, but it isn’t always inherently good or necessary.

Why should the ability to leverage software be limited to those willing to spend months or years studying arcane details of technical implementation? Why should someone’s vision or mission require them to know the low-level details of how a webpage gets rendered? And now, nearly all of the details are “low-level.”

Learning coding is now optional, but I think AI tools will also make it easier to learn to code for those who decide they want to. At any point, you can bring in context from any part of the codebase and ask the AI to explain it to you at any level of detail you want. You can even have it explain things outside that environment, such as the many external systems and interfaces you’ll need to get a full-fledged website working.

This is such a remarkable level of accessibility for a technology that was previously very hard to use, and it’s difficult to predict how the world will change when everyone can wield the power of software.

The new bottleneck is how you spend the time that’s saved

It’s so fast to create and edit code this way that the bottleneck starts to become how fast you can move your mouse, the speed of your internet connection, how long it takes to deploy a new build, the speed of refreshing the page, etc.

I predict we’ll see a variety of efforts to speed up every little step involved in coding, the same way that factories once invested millions in reducing the time it took to switch a production line from one activity to another, as that became the bottleneck.

But more broadly, the true limiter on the quality of software that people will be able to produce using Cursor and similar tools is how they spend the time that AI frees up for them

You could spend it chilling by the pool or watching TV, but you have to remember that everyone else is also having all their time freed up, so the level of competition will increase like a rising tide. Many web apps that people will build this way are hobbies, or experiments, or complements to other projects. Still, many will have some kind of competition or alternative, and the only way to compete effectively will be to invest the time saved in new dimensions of quality.

Maybe you spend that time exercising and meditating, so that you can ground yourself and bring wiser, more holistic decision-making to the AI. Maybe you spend it reading and researching, so the knowledge underlying your app is richer and more nuanced. Maybe you spend it hunting for obscure sources or offline archives, so that you can incorporate context that the LLM doesn’t already know. Maybe you spend your time talking with potential customers, so your choices more accurately reflect what they want.

All of these are valid choices, and they will all become important dimensions of competition and quality, even more so than they already are today. The true scarce resource continues to be the time and attention of other people, and I only expect the battle for that attention to keep heating up.

Software is the new frontier of book publishing

One of the domains I’m most excited about applying these new tools to is book publishing. Books have changed so little over time, and increasingly suffer in comparison to other, far more interactive and engaging forms of media.

I don’t think bemoaning this fact and lecturing people on the importance of reading is helpful, but I do believe interactive web apps like this could make a tremendous difference. What if, every time you finished a book, or even a single chapter, you were presented with a link to a free, interactive, personalized web app that directly applied the ideas you just read to your own situation?

Instead of trying to guess how to apply a book’s ideas, or get upsold to a course, or have to get expensive support from a coach or consultant, you would have a self-serve piece of software you can immediately engage with.

The value of a book is that the author has taken an extraordinary amount of time to research and think deeply about an important issue, topic, or skill. That’s a rare thing in our hype-driven online world of disposable headlines. But that same slow-moving, timeless quality makes it very difficult for books to recommend or prescribe any given form of implementation. There’s just too much variation between individuals to offer a one-size-fits-all solution, and long publishing timelines mean that any solution printed in the pages of a book is likely to be obsolete by the time it hits the shelves.

This is a way to combine the best of both worlds: to deliver the timeless, wise, holistic wisdom of books, accompanied by a suite of personalized, customizable, up-to-date digital implementation tools, accessible in one click or tap. This is how you save the culture of reading – not by resisting change but by embracing it. I plan on making extensive use of this approach in my next book.

We’re entering a more impressionistic era of creation

One of the most continuously surprising aspects of AI-assisted vibecoding is how brief, imprecise, informal, and vague my instructions can be, and still be understood. I could almost always just say “Fix this” with a screenshot, or “Make this look better,” or even just “Improve the question,” and AI would figure it out.

This is so different from past technologies that require you to be extremely exact, specifying what you want with mathematical precision. Even a single wrong character in a codebase of thousands of lines could result in a catastrophic error.

My unclear instructions often resulted in better results, because the AI would misinterpret my intentions and make improvements I hadn’t even thought of. Some of the best ideas came from the AI, either because I asked it for ideas or because it contributed them spontaneously as it guessed what I was trying to achieve.

Like the transition in painting style from the Realism of the mid-19th century to the Impressionism of the late 19th century, driven by painters’ desire to capture changing qualities of natural light, fleeting moments, and spontaneous experiences using quick, expressive brushwork rather than carefully finished compositions, we’re going to see a similar transition in software design.

Interestingly, what sparked the transition back then was technology – the advent of photography meant that scenes could be captured with nearly perfect realism, which devalued that ability by humans. Human artists pivoted in reaction, exploring a new frontier of perception, novel color combinations, and everyday life.

I think we’ll soon see our technological creations becoming much more impressionistic, based on ambiguous premonitions, subtle feelings, or vague notions that we can’t fully articulate. We’ll see people create various kinds of software as artistic expressions, or to capture a fleeting memory, or to convey a single message. Software will become its own mode of creative expression for a much wider range of people now that the price of entry has plummeted to near zero.

4 tips for using Cursor

Despite my lack of commitment to learning anything in particular, I found that I did end up learning a few things about how to work effectively in Cursor:

  • You don’t have to deploy a new version with every new feature you build, as that takes a few minutes. But it’s a good idea to do so anytime you get a major new feature working, as you’ll be able to “roll back” to that point if you mess up anything in the future.
  • It’s always helpful to bring in the relevant context to any interaction with the AI chat. Cursor makes this very easy by including an “add to chat” button both in the code window and in the terminal, which are the two places you’d want to draw on for context
  • Pasting screenshots into the AI chat is remarkably helpful, as it allows the AI to see exactly what you’re referring to. Often, you don’t even need to say anything – the AI understands what’s working as soon as it sees how it’s appearing.

You can check out Cursor with a free trial at https://www.cursor.com. I signed up for the paid version for $20 per month to build my first app, though you’ll have access to a lot of functionality for free. I recommend their “getting started” documentation to learn about the basic features, which are more than enough to allow you to build your first simple app.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post Introducing Death Clock (And My First Experience with Vibecoding) appeared first on Forte Labs.

How I use Obsidian

2023年9月16日 08:00

I use Obsidian to think, take notes, write essays, and publish this site. This is my bottom-up approach to note-taking and organizing things I am interested in. It embraces chaos and laziness to create emergent structure.

In Obsidian, a “vault” is simply a folder of files. This is important because it adheres to my file over app philosophy. If you want to create digital artifacts that last, they must be files you can control, in formats that are easy to retrieve and read. Obsidian gives you that freedom.

The following is in no way dogmatic, just one example of how you can use Obsidian. Take the parts you like.

Vault template

  1. Download my vault or clone it from the Github repo.
  2. Unzip the .zip file to a folder of your choosing.
  3. In Obsidian open the folder as a vault.

Theme and related tools

Personal rules

Rules I follow in my personal vault:

  • Avoid splitting content into multiple vaults.
  • Avoid folders for organization.
  • Avoid non-standard Markdown.
  • Always pluralize categories and tags.
  • Use internal links profusely.
  • Use YYYY-MM-DD dates everywhere.
  • Use the 7-point scale for ratings.
  • Keep a single to-do list per week.

Having a consistent style collapses hundreds of future decisions into one, and gives me focus. For example, I always pluralize tags so I never have to wonder what to name new tags. Choose rules that feel comfortable to you and write them down. Make your own style guide. You can always change your rules later.

Folders and organization

I use very few folders. I avoid folders because many of my entries belong to more than one area of thought. My system is oriented towards speed and laziness. I don’t want the overhead of having to consider where something should go.

I do not use nested sub-folders. I do not use the file explorer much for navigation. I mostly navigate using the quick switcher, backlinks, or links within a note.

My notes are primarily organized using the categories property. Categories display an overview of related notes, using the bases feature in Obsidian.

Most of my notes are in the root of the vault, not a folder. This where I write about my personal world: journal entries, essays, evergreen notes, and other personal notes. If a note is in the root, I know it’s something I wrote, or relates directly to me.

Two reference folders I use:

  • References where I write about things that exist outside my world. Books, movies, places, people, podcasts, etc. Always named using the title e.g. Book title.md or Movie title.md.
  • Clippings where I save things other people wrote, mostly essays and articles.

Three admin folders exist so that their contents don’t show up in the file navigation:

  • Attachments for images, audio, videos, PDFs, etc.
  • Daily for my daily notes, all named YYYY-MM-DD.md. I do not write anything in daily notes, they exist solely to be linked to from other entries.
  • Templates for templates.

Two folders are present in the downloadable version of my vault for the sake of clarity. In my personal vault, these notes would be in the root, not a folder.

  • Categories contains top-level overviews of notes per category (e.g. Books, Movies, Podcasts, etc).
  • Notes contains example notes.

Links

I use internal links profusely throughout my notes. I try to always link the first mention of something. My journal entries are often a stream of consciousness cataloging recent events, finding connections between things. Often the link is unresolved, meaning that the note for that link isn’t created yet. Unresolved links are important because they are breadcrumbs for future connections between things.

A journal entry in the root of my vault might look something like this:

I went to see the movie [[Perfect Days]] with [[Aisha]] at [[Vidiots]] and had Filipino food at [[Little Ongpin]]. I loved this quote from Perfect Days: [[Next time is next time, now is now]]. It reminds me of the essay ...

The movie, movie theater, and restaurant each link to entries in my References folder. In these reference notes I capture properties, my rating, and thoughts about that thing. I use Web Clipper to help populate properties from databases like IMDB. The quote was meaningful to me, so it became an evergreen note in my root folder. The essay I mention is in my Clippings folder, because I didn’t write it myself.

This heavy linking style becomes more useful as time goes on, because I can trace how ideas emerged, and the branching paths these ideas created.

Fractal journaling and random revisit

Fractal journaling and randomization are how I tame the wilderness that a knowledge base can grow into.

Throughout the day I use Obsidian’s unique note hotkey to write individual thoughts as they come up. This shortcut automatically creates a note with the prefix YYYY-MM-DD HHmm to which I may add a title that describes the idea.

Every few days I review these journal fragments and compile the salient thoughts. I then review those reviews monthly, and review the monthly reviews yearly (using this template). The result is a fractal web of my life that I can zoom in and out of at varying degrees of detail. I can trace back where individual thoughts came from, and how they bubbled up into bigger themes.

Every few months I set aside time for a “random revisit”. I use the random note hotkey to quickly travel randomly through my vault. I often use the local graph at shallow depth to see related notes. This helps me revisit old ideas, create missing links, and find inspiration in past thoughts. It’s also an opportunity to do maintenance, like fix formatting based on new rules in my personal style guide.

People have asked me if this could be automated with language models but I do not care to do so. I enjoy this process. Doing this maintenance helps me understand my own patterns. Don’t delegate understanding.

Properties and templates

Almost every note I create starts from a template. I use templates heavily because they allow me to lazily add information that will help me find the note later. I have a template for every category with properties at the top, to capture data such as:

  • Dates — created, start, end, published
  • People — author, director, artist, cast, host, guests
  • Themes — grouping by genre, type, topic, related notes
  • Locations — neighborhood, city, coordinates
  • Ratings — more on this below

A few rules I follow for properties:

  • Property names and values should aim to be reusable across categories. This allows me to find things across categories, e.g. genre is shared across all media types, which means I can see an archive of Sci-fi books, movies and shows in one place.
  • Templates should aim to be composable, e.g. Person and Author are two different templates that can be added to the same note.
  • Short property names are faster to type, e.g. start instead of start‑date.
  • Default to list type properties instead of text if there is any chance it might contain more than one link or value in the future.

The .obsidian/types.json file lists which properties are assigned to which types (i.e. date, number, text, etc).

Rating system

Anything with a rating uses an integer from 1 to 7:

  • 7 — Perfect, must try, life-changing, go out of your way to seek this out
  • 6 — Excellent, worth repeating
  • 5 — Good, don’t go out of your way, but enjoyable
  • 4 — Passable, works in a pinch
  • 3 — Bad, don’t do this if you can
  • 2 — Atrocious, actively avoid, repulsive
  • 1 — Evil, life-changing in a bad way

Why this scale? I like rating out of 7 better than 4 or 5 because I need more granularity at the top, for the good experiences, and 10 is too granular.

Publishing to the web

This site is written, edited, and published directly from Obsidian. To do this, I break one of my rules listed above — I have a separate vault for my site. I use a static site generator called Jekyll to automatically compile my notes into a website and convert them from Markdown to HTML.

My publishing flow is easy to use, but a bit technical to set up. This is because I like to have full control over every aspect of my site’s layout. If you don’t need full control you might consider Obsidian Publish which is more user-friendly, and what I use for my Minimal documentation site.

For this site, I push notes from Obsidian to a GitHub repo using the Obsidian Git plugin. The notes are then automatically compiled using Jekyll with my web host Netlify. I also use my Permalink Opener plugin to quickly open notes in the browser so I can compare the draft and live versions.

The color palette is Flexoki, which I created for this site. My Jekyll template is not public, but you can get similar results from this template by Maxime Vaillancourt. There are also many alternatives to Jekyll you can use to compile your site such as Quartz, Astro, Eleventy, and Hugo.

Related writing

初试自媒体

作者吴杰
2025年5月2日 11:42

关于自媒体,其实在很多年前就已经知道了它的存在,其实很早就想尝试,但迫于执行力“太强”,所以,直到现在才刚刚开始行动🤦‍♂️

做自媒体,首先要选平台,我目前选择的是微信公众号和小红书,因为这两个平台支持图文。由于剪辑视频太耗时,而我也不太会剪,所以打算先从图文做起。

关于内容,我目前也没有想好做什么,每个赛道都很卷,我觉得要想持久,还是得做自己擅长的领域,这样才有可能坚持下来。而我擅长的除了软件开发,好像也没有什么了,但是发一些编程相关的内容,受众又有点小,更重要的是,谁会上公众号和小红书上看技术内容?如果是真正的程序员,白天工作和代码打交道,晚上没事刷个小红书还要看编程🤦‍♂️?所以这个想法作罢。

但这个事情总要推进下去,不能等想好了再做,如果等想好了再做,可能这件事就做不成了,我了解我自己。

经过一番思索,我干脆把我博客里的读书笔记略加改动发到了公众号和小红书上,配上了书的封面。

我的微信公众号
我的微信公众号
我的小红书

虽然还有很多问题,比如图片不好看,书很破旧,写的也不好,但不管怎么说,这个想法总算是落地了。剩下要做的就拍好看的图片以及持续输出内容,坚持一段时间看看,行就行,不行就拉到,最起码尝试过了。

网站搬回了搬瓦工

作者吴杰
2025年4月17日 17:08

这件事情其实一个多月以前就做了,但是忙没有记录,最近没事,感觉还是有必要记一下,算是博客网站变迁的一个历程。

网站最初就是运行在搬瓦工上的,去年由于备案迁移回了国内,使用的是阿里云99一年的特价机器。国内的服务器线路是没得说,但是无奈带宽太小了,3M的固定带宽相比于搬瓦工的G口显得有些鸡肋,在打开图片多的页面时就会加载缓慢,浏览器持续转圈圈,实际体验下来还没有美西的搬瓦工好。

国内的服务器如果想有好的体验,就要升级带宽,使用钞能力,无奈国内带宽太贵了。所以还是回到最初的小窝吧,巴适得板。

如果你也需要,欢迎使用我的链接:https://bwh81.net/aff.php?aff=40338

春日随想

作者吴杰
2025年4月15日 10:23
初春的天空

很久没更新博客了,看了下日期,上次更新是2月15,正好两个月的时间。

很久没写,打开博客后台,面对着空白的富文本编辑器,却不知道该敲下些什么。

随便写写吧,总不能一直停更下去。

说说自己的近况吧,这段时间以来,接了老客户的一个项目,并且签订了两年的维护合同,虽然钱不是很多,但好在项目比较轻松,还可以接受。然后闲暇之余就做做自己的网站,本来打算今年尝试一下做自媒体,但不知道从何下手,至今也迟迟没有行动。

自从淘宝店铺黄了之后,就一直在筹划网站+自媒体,现在发现这条路也很难走,但既然选了,总要做做试试,现在手里有五个网站,有两个申请了 google adsense,其他的还在想出路,有一个需要和行业去谈合作,但首先网站要做好,有初步的流量才行。很难。

从业十多年以来,我发现我总是错过风口,PC时代刚入行,什么都不懂,互联网时代我在做桌面开发,移动应用时代我在做外包,现在AI时代我又开始做互联网,有点四九年入国军的感觉。按理说现在应该做和AI相关的才对,但真的不知道关于AI能做些什么,或许和AI相关的应用可以做,但也还没想好该做什么,或许应该少想多尝试一下。

当今社会,活着就离不开钱,似乎赚钱是活人永恒的话题,无奈钱越来越难赚,唉。要是有一个没有金钱的社会就好了,就像陶渊明的世外桃源,但这几乎不可能,只能存在于理想中。

随着三宝的长大,生活越来越忙,每天要接送两个学生上下学,三宝需要一个专人照看,一到上学、放学的时间,真是忙的不可开交。前几天,三宝刚刚学会走路,看着那稚嫩的步伐,感觉一切都是值得的。

每天中午接完二宝放学,就和二宝一起去接大宝,我们每天都会经过沿途的公园,这段时间以来,我们几乎欣赏了公园的整个春天。

初春的柳条,女儿说这是春天的音符,现在已经褪去了当初的稚嫩,变得柳叶斑斓
初春的小花,女儿说这是春天的眼睛
女儿发现的蓝色小花
花开正好时,问了豆包,说着这是榆叶梅,不知道它有没有骗我
等大宝放学的时间,公园写作业
落日余晖中的沧源阁
花树林
奔跑在网红桥上
近照,昆虫🪲公园

每天都是这样,从春天伊始,看到花开花落,虽然忙碌,但是内心充实而满足。

Productive Disorder: The Hidden Power of Chaos, Noise, and Randomness

2025年4月7日 21:00

In the early 1700s, Central Europe faced a crisis: the forests were running out.

An explosion in mining, shipbuilding, and early industry had devastated old-growth forests that had stood for many centuries. Meanwhile, the population was exploding as well, creating demands on forests that clearly couldn’t be sustained for long.

The kingdoms of Prussia and Saxony decided to apply the emerging methods of science to the problem, developing what would eventually become known as Scientific Forestry. In order to maximize timber production for the state, forestry officials turned their wild and messy woodlands into outdoor timber factories.

They began by meticulously cataloguing every tree in the forest by species and size. They analyzed growth rates and wood quality to identify the most productive species, settling on Norway spruce to yield the maximum volume of timber per square foot. They then cleared the existing forests and turned them into monocultures – endless rows of evenly spaced, identically sized spruce.

What had once been an impossibly complex tangle of diverse kinds of vegetation – oak, beech, fir, and countless others – became a “planned forest.” It was the biological equivalent of a spreadsheet, with straight rows of trees laid out in a precise geometric grid ready for bureaucratic regulation.

At first, it worked beautifully. Forestry officials could now predict with extreme accuracy the exact yield of every patch of forest. The new plantations produced more lumber, at a faster pace, to a more precise standard. Harvests came in on schedule and in uniform sizes ready for sawmills. Logging boomed and the revenue flowed into state coffers.

But something strange began to happen after the second or third generations of trees were planted. The first generation had flourished in the absence of competition for soil and nutrients, but in the following generations, those same ecosystems collapsed, with dramatic production losses of 20-30%.

In order to make the forest more productive, the underbrush had been cleared of smaller trees, bushes, and shrubs. That underbrush had fertilized the soil with decomposing leaves and wood; without this undergrowth, the soil soon became depleted. The disappearance of fungi, worms, and insects caused pollination and soil aeration to crash.

Pests like the pine looper moth and bark beetle raced through identical strands of trees, encountering no obstacles or predators. Storms damaged vast swathes of the forest, toppling over the shallowly rooted spruces like “bowling pins.”

It turned out in retrospect that the messy diversity of the forest had been the source of its resilience. When stresses such as storms, disease, drought, fragile soil, or severe cold struck, a diverse forest with its full array of different species of trees, birds, insects, and animals was far better able to survive and recover. A windstorm that toppled large, old trees would typically spare smaller ones. An insect attack that threatened oaks might leave lindens and hornbeams unaffected. The rigidity and uniformity of the system meant that failures were not small and contained but systemic. 

By the late 19th and early 20th century, forest plantations had become “a pale shadow of their previous ecological richness.” After all the effort and resources invested, the forests of Central Europe were now producing less timber than the wild forests they had replaced. All these changes culminated in what Germans grimly came to call Waldsterben, or “death of the forest.” 

The supposedly “scientific” management of forests led to ecological problems so severe that multiple generations of restoration ecology have been needed to restore the previous diversity in insects, flora, and fauna. Germany continues to struggle with the lasting effects of monoculture forestry to this day, most recently in 2018 due to the mounting effects of climate change.

This story is recounted in James C. Scott’s Seeing Like a State, and in his book, Scott notes that far from being a unique or isolated incident, scientific forestry was one incidence of a far broader movement, which he dubs Authoritarian High Modernism. 

Across many facets of the modern world, from urban planning to public health, from transportation infrastructure to online social networks, we’ve sought to “rationalize” and “optimize” the messiness and complexity of the world. From the way we organize our cities and homes to how we manage the economy, all the way down to the systems and routines we create for our personal productivity, we’ve tried to impose rational order on complex systems based on a narrow vision of efficiency.

In this piece, I’ll argue that the results of that effort have been disastrous, and it’s time to return those systems to their natural, messy state.

An optimal level of mess

I first read the story of scientific forestry in a blog post by Venkatesh Rao in 2014. It was a paradigm-shifting moment for me. I saw in myself much the same attitude as 18th century German forestry officials – an unquestioned belief in order, reason, and systematic thinking.

I had always believed that anything I wanted to achieve in life was to be found on the other side of “getting organized.” My assumption was that there was one “best” path to achieving any goal, which was to follow a highly specific, structured, step-by-step plan with objectives and metrics. It was the “one true way,” as universal and unquestioned as my childhood religious faith.

Yet, in my early 20s, I began to run up against the limits of my blind faith in order. I began to see more and more examples of how it failed – in my own life, the lives of my friends and peers, and even in the business world and in society. The pitfalls and weaknesses of highly ordered, rationalized systems started to become ever more glaring, especially in a world that seemed to be changing faster and becoming more ambiguous and uncertain.

What if, I began to wonder, the costs of being neat and organized outweighed the benefits? What if there were hidden advantages to being messy, informal, loose, and even chaotic?

Last year, I picked up a book called A Perfect Mess: The Hidden Benefits of Disorder, by Eric Abrahamson and David H. Freedman, that finally addressed my longstanding question. Their striking conclusion after studying dozens of disciplines was a strong affirmative yes: that “moderately disorganized people, institutions, and systems frequently turn out to be more efficient, more resilient, more creative, and in general more effective than highly organized ones.”

They argue instead for an attitude toward organization that takes into account its costs, by asking yourself: Will more effort spent organizing be worth what it costs me in time and other resources? They suggest that there is an “optimal level of mess” for any given person and every given situation…and that it is just as common for people to err on the side of overorganization as underorganization.

This assertion is akin to heresy in our productivity-obsessed world. And for me personally, as someone who’s dedicated my career to teaching people how to be more efficient and organized, it felt like the portal to a hidden, subversive world.

The surprising benefits of disorder

This may seem counterintuitive, but you can think of “mess” not as simply the absence of order – like a vacuum of nothingness – but as a phenomenon in its own right, with its own qualities.

You can even conceive of mess as a valuable resource you can draw on or a strategy you can proactively apply when needed.

To understand when and where we might want to employ messes, we need to identify its unique benefits. Abrahamson and Freedman suggest six of them: flexibility, completeness, resonance, invention, efficiency, and robustness.

Messes are flexible in that they can adapt and change more quickly, more dramatically, in a wider variety of situations, and with less effort than would be required by highly ordered, formal systems. 

For example, the messiness of a jazz ensemble enables improvisation, as any musician can shift at any moment to address any other, whereas a symphony orchestra has to play the music as written. Neat systems struggle to fight off randomness, and when randomness inevitably leaks in, the system is thrown off.

Messes are more complete (or comprehensive) since they can comfortably tolerate an exhaustive array of diverse entities. 

Neat systems tend to whittle away at the diversity of their elements (as we saw in 18th-century German forestry). As another example, Thomas Edison tried any and every material in his quest to invent a workable lightbulb with a long-lasting glow, without regard to elegant theories as to why they might work. His approach to experimentation was wide-ranging and messy.

Messes are resonant, as in they facilitate surprising connections between overlapping, heterogenous elements. 

Alexander Fleming happened upon the discovery that led to the invention of the first antibiotic, penicillin, because his lab was notoriously messy. A small, ragged circle of mold had invaded one of his petri dishes, but the staphylococci culture it contained seemed to steer clear of the mold, his first clue that the bacteria couldn’t tolerate it.

Messes facilitate invention by randomly juxtaposing many elements in unexpected, unconventional ways. 

Neatness tends to limit novelty and the unexpected and sweeps them aside as aberrations when they do occur. A sobering example: a major reason modern terrorists are so hard to fight and defeat is because they are constituted by loose, constantly shifting, non-hierarchical, i.e., messy groups.

Messes are efficient, able to accomplish goals with a modest consumption of resources. 

Consider the “productivity” of the wild forests before scientific management took root – they produced immense value for a wide variety of human and non-human species, despite the complete lack of an organizing scheme. Neatness tends to require a constant expenditure of resources just to maintain itself.

Messes are robust in that they tend to weave together and interlace many disparate elements, making them more resistant to destruction, failure, and imitation. 

For example, competitive runners benefit from “inconsistent” workouts that mix up the speed, length, difficulty, frequency, and inclination of their running routines, leading to muscles that are more adaptable. Mixed-breed mutts are often hardier than purebred dogs thanks to the random interweaving of genes from their unlike parents. Neat systems, in contrast, tend to be more brittle and more easily disrupted or copied.

Later in the book, Abrahamson and Freedman introduce a seventh benefit: messes can be fun!

Consider the joy of sorting through antiques and doodads at a flea market, browsing a stack of random magazines, or spelunking through a messy collection of notes and finding something you didn’t even know you were looking for. Messy situations inherently include many qualities we find enlivening and interesting: surprise, delight, exploration, and discovery.

Adding disorder to a system can make it more effective

It’s one thing to believe that messes have some intriguingly positive qualities in theory. It’s quite another to realize those benefits in real life.

Let’s get one level more concrete and look at practical ways we can use the benefits of disorder in our daily lives.

Specifically, let’s see how disorder can make for more creative environments, allow information systems to contain more information, make the human brain smarter, enhance one’s personal productivity, and allow us to make more consistent progress on our projects and goals.

Disorder makes for more creative environments

In his book, Where Good Ideas Come From, Steven Johnson highlights many surprising examples of how disorder has led to new ideas and inventions throughout history. In his research, he found that innovation is often driven by “the collisions that happen when different fields of expertise converge in some shared physical or intellectual space.”

Perhaps the most classic model for such a space is the eighteenth-century coffeehouse, which Johnson notes was the hotbed for Enlightenment-era innovations that transformed our world: everything from the science of electricity to the insurance industry to modern democracy itself. 

Sigmund Freud famously hosted an intellectual salon on Wednesday nights in Vienna, where physicians, philosophers, and scientists came together to discuss the emerging field of psychoanalysis. The legendary Homebrew Computer Club in 1970s Silicon Valley was made up of a ragtag group of amateur hobbyists, teenagers, entrepreneurs, and academics, who together somehow sparked the personal computer revolution.

Berkeley psychology professor Charlan Nemeth began investigating the relationship between noise, dissent, and creativity in group environments more than thirty years ago, and her research offers a clue as to why noisy cafes and amateur hobbyist clubs might have fostered so much creativity: she found that “good ideas are more likely to emerge in environments that contain a certain amount of noise and error,” ranging from mock juries to corporate boardrooms to academic seminars.

Maybe the best environment for our creativity is not sitting in a minimalist cafe, wearing noise-cancelling headphones, with an all-consuming focus on a tiny screen. Maybe there are times we’d be better served by immersing ourselves in randomness instead.

Disorder makes for more information-rich systems

Steven Johnson, in his book, introduces the field of Descriptive Complexity Theory, a branch of information science that has found that the more randomness in a system, the more information it can hold.

This may seem paradoxical, but imagine the case of two professors: one with a perfectly tidy, neat office with not a paperclip out of place, and one with a messy office full of personal items strewn all over the place. Which one provides you with more information about what kind of person the professor is? Clearly the messy one, since too much neatness and order tends to hide away the idiosyncratic details that distinguish one person from another.

Now imagine a digital notetaking app such as Notion, Obsidian, Tana, or Evernote. You might imagine that perfectly organizing your notes app – with neatly formatted text, seamless folders, comprehensive tags, and uniform headings – might allow you to fully maximize the potential of your knowledge.

But then again…maybe not. Maybe it is the very messiness that we tend to despise that makes our notes personal, intimate, and unique to us. A perfectly organized set of notes could belong to anyone, whereas a messier collection might contain all sorts of hidden clues about your unique desires and interests.

Disorder makes for smarter brains

In a 2007 study on the brain activity of children, neuroscientist Robert Thatcher and his team found that there was a correlation between the IQ of individual children and the amount of time their brains spent in “chaotic mode” (in contrast to “phase lock,” which is a more ordered and focused state of mind).

Every extra millisecond spent in chaos added as much as twenty IQ points, whereas time spent in phase lock was correlated with reduced IQ. Their conclusion is astonishing: the more disorganized your brain is, the smarter you are likely to be.

It turns out that the human brain relies on disorder for its basic functioning at multiple levels, from the processing of raw sensory data to the interplay of abstract ideas. Our brains evolved to navigate a messy world, and perhaps when we insist on organizing its activity, we rob it of that essential ability.

Consider how too much silence in a group dinner can be uncomfortable. Or that kids can knock out homework in a noisy home. Or that jiggling a telescope can help an observer’s eye pick up a faint celestial body. We are designed to thrive in chaos.

Disorder makes for higher productivity

Jane Jacobs, the famous urban planning theorist, noted a similar phenomenon at work in the design of cities. 

She noticed that planners had a tendency to substitute superficial visual order for true functionality. In other words, whether a neighborhood “looked right” became more important than whether it worked for its inhabitants. The assumption seemed to be that if an arrangement was visually pleasing, that automatically meant it would function well.

I see this tendency run amok in the personal productivity space as well: people tend to love visual order, manifesting as pleasing symmetry, clean lines, perfectly squared little boxes, and severe minimalism. Yet all too often, this order and elegance comes at the expense of functionality – Does the thing actually work? Does it work sustainably for the long term? Does it fit how your mind works? Does it provide more value than it requires in upkeep?

It’s far easier to make something superficially pretty than to answer such questions. It’s much easier to compulsively switch to a different app that promises to instantly sweep aside the digital disorder than to figure out what we’re truly trying to accomplish. It’s much easier to organize things than to decide which of those things actually matters.

No doubt some situations call for a more structured approach – think of checklists used by an operating surgeon or an airline pilot. But most of us don’t face such high-stakes situations in our daily lives and would benefit from less formal tools.

Disorder helps you make progress

We normally think of “organizing” a collection of physical, visual, or digital elements, but it also applies to how one structures one’s efforts, including goals and projects.

In Tim Hartford’s book Messy, he found in his research that the top scientists tend to switch topics frequently: “Over the course of their first hundred published papers, the long-lived high-impact researchers switched topics an average of forty-three times.” 

We are normally taught that in order to achieve something great, we have to focus maniacally on a single pursuit. Yet by cultivating a variety of projects at different stages of fruition, leading scientists clearly gain four benefits:

  1. Multiple projects cross-fertilize, with the knowledge gained in one sometimes unlocking key insights in another.
  2. Diverse pursuits provide variety that captures our attention, whereas a single-minded pursuit can become monotonous and boring.
  3. Each project provides an “escape” from the others, giving you something to turn to when you face an impasse, instead of it becoming a crushing experience.
  4. Turning our attention away from a project gives us a chance to process it subconsciously, which some scientists believe is an important key to solving creative problems.

This last benefit was designated by the philosopher Søren Kierkegaard as “crop rotation.” One cannot use the same field to grow the same crop indefinitely. Eventually the soil must be refreshed by planting something new or simply giving it a break.

This agricultural metaphor brings us back full circle to James C. Scott’s ideas in Seeing Like a State, where he makes an intriguing observation: “The rule seems to be that the more rigid and exclusive is the specialist’s boundary, and the stricter the control within it, the more disorder rages around it.”

In other words, you can’t really ever eliminate disorder; you can only move it around. So perhaps the greatest cost of creating a highly organized environment is that everything just outside its borders – which includes the rest of your life, your body, your family, other people, the natural environment, and human society generally– becomes flooded with externalities for the sake of that perfect system.

Practical takeaways for your productivity

So what does all this mean for our personal approach to order and organization?

Here are some actionable takeaways I can offer based on the findings and examples above:

1. Don’t feel guilty about putting off organizing

The authors of A Perfect Mess note that there’s an advantage in putting off organizing: it’s more efficient to organize a larger batch of items all at once than to do it a little at a time. 

This is known as “batch processing,” and I tend to save it for my weekly, monthly, and annual reviews, when paradoxically, the more stuff that has piled up, the better!

Don’t feel guilty about postponing your organizing to a later date, or only doing it occasionally, because in the meantime, you’re benefitting from all the advantages of mess I highlighted above.

2. Notice and embrace the odd, eccentric ways you tend to organize

Many people say they don’t have time to get organized, but in reality, they are constantly engaging in a wide variety of ingenious organizing strategies. Our propensity to seek shortcuts, find the path of least resistance, and expend as little time and energy as possible to achieve an outcome are some of the most reliable ways to find little tips and tricks that may seem eccentric or odd but work for us.

Abrahamson and Freedman present multiple examples of how most people, since they aren’t aware of the ways they naturally stay organized, tend to misjudge how a technology system might help them. They assume that the laid back, informal methods they already use are suboptimal and that they need a piece of software that only adds a lot of burdensome formality.

3. Satisfice instead of maximize

One of the subtle implications of the ideas in this piece is that we don’t ever truly have control. If we try to fully organize our surroundings, we fall into the traps and pitfalls noted above. If we instead accept the messiness, then we don’t have full control over it either.

What’s left then is to accept the reality: that we are all careening through a chaotic void, with at most brief moments of stability and fleeting periods of agency. Instead of trying to order and control our lives, we can use this inherent randomness as an excuse to satisfice, which has long been recognized as an essential ingredient for happiness.

As Nicholas Nassim Taleb puts it, “Having some randomness in your life can actually increase happiness: it forces you to satisfice, instead of maximize. Research shows that those who live under self-imposed pressure to be optimal in their enjoyment of things suffer a measure of distress.”

Living in the balance

It’s all a balance, all masculine and feminine, yin and yang. When the benefits of order start running out, it’s time to switch to disorder. And vice versa – when disorder starts careening out of control, try adding a little structure to the problem. 

There are no “right” ways that work universally in all situations; only tools that work better or worse depending on the job.

It’s not that order, reason, and efficiency are bad – it’s that they are sometimes extolled as inherent virtues when, in fact, their opposites can be just as valuable and useful.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post Productive Disorder: The Hidden Power of Chaos, Noise, and Randomness appeared first on Forte Labs.

乌兰哈达火山银河之旅

2024年6月27日 08:00

可谓念念不忘,必有回响。

2022 年《再游嵩山》的时候,**就一直心心念念能和爱人拥在银河下,看一场流星雨。**现在 24 年了,疫情都结束了,小雅我俩在一块也两年多了,正好端午节三天加上年假,说走就走,看银河去!

記伍月

2024年5月31日 08:00

我一直在用 Obsidian 写子弹笔记复盘,只是最近状态比较差,直接摆烂了。不过每当状态不好,我都会来一次全面深入的复盘尝试「脉动」回来。

这样一看,平时偷的懒总归是要还回来的 ~

继续开荒我那一亩三分地

2024年5月13日 08:00

家里的梨树园长期闲置导致杂草重生,在 2022 年初经过开荒种下了一些瓜果蔬菜,最后因为疫情原因,还有无法浇水导致停摆了。

关于浇水我是真 TMD 的无语,那个浇地的机井需要刷卡才可以开机。当时负责人说暂时没有卡了,需要等一段时间,

打工三年记

2024年4月29日 08:00

不知不觉在九州通工作三年,捎带收获了一份纪念品哈哈。简单介绍一下九州通,九州通医药集团股份有限公司是一家以西药、中药和医疗器械批发、物流配送、零售连锁以及电子商务为核心业务的大型股份制企业。

夜泊西湖听雨声

2024年4月29日 08:00

自从姐姐在杭州定居后,我每年都会往返这里。而这次是为了迎接我们家的新成员——团子 ~

每次独坐湖边的长椅上,都会陷入过往与未来的思绪之中。从三年前我第一次来杭州,至今,经历了诸多的变化和成长。每一次来到西湖,仿佛都能倾诉我的情感。

富人的红灯与穷人的绿灯

2024年4月18日 08:00

在这个社会中,存在一种神奇的社会实验,名为「自由流动」或者更贴切的说,是「生死由命」。在一个不起眼的城市角落,有一个十字路口,每天都在上演着一出生死交响曲。这里,车流如织,人流如潮,每个奔跑的生命都在这个无红绿灯的舞台上,翩翩起舞。

My Time in Eastern Ukraine: A Story of Beauty, Community, and Hope

2025年3月24日 21:30

I spent 2 years serving as a Peace Corps volunteer in Eastern Ukraine from 2009 to 2011. I lived in the town of Kupyansk, a couple hours outside Kharkiv, near the Russian border. It was one of the greatest experiences of my life, teaching me so much about myself and life and the people and culture of Ukraine.

Kupyansk is now on the frontlines of the Russian invasion. The streets I walked every day have been decimated, the bridge into town destroyed, and my old students scattered across Ukraine and abroad, or sucked into the vortex of fighting.

When I landed in Kyiv in September of 2009 to begin my service, the country was at peace. It was a fledgling democracy, having gained its independence in 1991 after the collapse of the Soviet Union. At 18 years old, the country was young, which meant naive and unsure of itself, but also deeply hopeful and optimistic about its future.

The word “Ukraine” means “borderlands,” and the land has indeed always been at the crossroads of many frontiers: between East and West, between Russia and Europe, between the Slavic world and the Latin and Germanic worlds, between Orthodox Christianity and Western Christendom. The sweeping, flat, fertile plains that make it an agricultural breadbasket have always beckoned to conquering armies from every direction to try their luck.

This identity of being in-between, of being at the periphery, gives Ukrainians many of their gifts, from their warmhearted hospitality and multicultural mindset, to their peacefulness and spirit of international cooperation. It makes them humble, grateful, creative, and bold. 

It’s also led to tremendous suffering. The Holodomor, the Soviet Union’s equivalent to the Holocaust, killed between 3.5 and 5 million people in a directed genocide and forced collectivization from 1932-33. The Crimean Tatars, a Muslim people who populated the Black Sea shore for many centuries, were forcibly removed from their homes by Stalin in 1944, loaded aboard sealed-off cattle trains, and transferred almost 3,200 kilometres to the barren, remote reaches of Uzbekistan. It’s hard to imagine such tragedies happening anywhere else but the edges of a “great” empire.

I had wanted to serve in the Peace Corps since I was a teenager when a friend of my parents had told me the stories of his service in the 70s. It sounded like the perfect scenario to me: lots of time in an exotic foreign location, immersed in a new culture, learning a new language, and serving people in need. This combined most of my main interests at the time, and I leapt at the opportunity.

When I arrived, I was so determined to put all my energy into serving and teaching that I decided I wasn’t going to write about my experience while I was there, which I now consider a grave mistake. I had been blogging about my travels in South America for about a year at that point, but still saw writing as an optional indulgence, not an essential way to document and understand my life, as I do today.

I did, however, make a video out of all the short clips I took on my iPhone 3G during my time there. It was my attempt to capture the spirit of my experience there – to commemorate the memories of the most exhilarating, and also most challenging, two years of my life.

14 years later, that video is also a record of what life in Eastern Ukraine was like before the wars. It feels like a snapshot of the final days of a beautiful experiment in Ukrainian independence, now undermined by the Russian invasions of 2014 and 2022.

I’ve decided to share it publicly as a small testament to what was lost. As one more piece of evidence that Ukraine once thrived, that Ukrainians know what kind of country they want to build, and could build it again if given the chance by the wider world.

In the US, we have a president and administration who have essentially switched sides, from this innocent nation struggling to defend its freedom and its rights, to Putin’s Russia, an aggressor toward so many countries on its borders and beyond. It’s the most evil act I’ve ever seen from my country, a betrayal of everything we claim to stand for, and I’m ashamed to have anything to do with it.

My hope is one day Ukraine will have independence, peace, and stability again. It deserves it, its people deserve it, and the world will benefit from it being secure, autonomous, and self-determined, not a vassal state under the thumb of Moscow like it’s been for so much of history.

If you want to help me donate directly to Ukrainian relief organizations, my book is now available in Ukrainian (Запасний мозок) and Russian (Создай свой «второй мозг»!). Here are direct links you can use to purchase it in various formats:

I’m donating 100% of my royalties from both languages to non-profits and relief organizations in Ukraine forever, totaling $10,000 USD so far. And of course, I encourage you to donate directly if you’re able. Now that they’ve been abandoned by their main champion, the U.S., they need it more than ever.

In many ways, the origins of my work with Second Brains, digital organization, and productivity can be traced back to my time in Ukraine. It was the first time I taught “life skills” such as how to define goals, make project plans, gather resources, and execute on a timeline. There is a direct link between the community service program I created during my service, known as Projects Bring Change, to the central role of projects in all my teaching.

I hope this is one small way I can return the blessings that Ukraine and her people gave to me, and perhaps teach another generation of Ukrainians what it means to succeed with their goals in this uncertain and volatile time.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post My Time in Eastern Ukraine: A Story of Beauty, Community, and Hope appeared first on Forte Labs.

The Death of Goals

2025年3月10日 21:00

I’ve suspected for years that the traditional concept of “goal-setting” was on its last legs. 

Every time I bring up “SMART goals,” I can see the light go out in my students’ eyes. An unmistakable feeling of dread and aversion fills the room, and the decline in energy and enthusiasm is palpable. They know they should set goals that way, but they don’t want to.

The SMART framework was developed 44 years ago by a director of corporate planning at an electric and natural gas utility – not exactly a paragon of modern business in the information age.

I knew traditional goals were an outdated relic of a bygone era, but I hadn’t figured out what to replace them with. After all, they seem like such a load-bearing pillar of modern society: you set an objective, you make a plan, and then you follow the steps to get there. 

What other approach could there even be?

I recently came across a book that proposes an intriguing answer, one that I’m confident is much better suited to our more unpredictable, dynamic world. It is based on extensive research in the field of Artificial Intelligence but its lessons apply broadly to any domain. 

It’s called Why Greatness Cannot Be Planned, by Kenneth O. O. Stanley and Joel Lehman. In this piece, I’ll summarize the book’s most interesting and useful points.

The fatal flaw in goal-setting

The concept of “goal-setting” has dominated our thinking about ambition, achievement, and progress for decades. 

It’s akin to a secular article of faith: the unquestionable “right way” to build, invent, discover, innovate, or create anything, from the smallest personal project to the grandest feats of civilization.

There are undoubtedly some advantages to traditional goal-setting, which explain why it’s stuck around for so long: it’s easy to understand, predictable, appeals to common sense, and offers comfort against the harsh uncertainty of reality.

But Stanley and Lehman ask a profound question in their book: What if that traditional approach to goal-setting is hindering progress on many fronts? What if it degrades our creativity, blocks us from serendipitous discovery, and dampens what makes us most interesting and unique?

They note that goal-setting works perfectly fine for modest pursuits. If you’re trying to improve efficiency on a production line by 5%, or finish a kitchen remodel, by all means, set a goal and follow the obvious steps to reach it.

The problem arises when we try to scale up this modest strategy to greater achievements – those that involve true ambition, novel invention, innovative breakthroughs, or pushing the frontier.

These are the kinds of pursuits in which goals lose their power, and can actually become counterproductive and lead you in the opposite direction of progress.

To understand why, it’s helpful to think of achievement not as creating something completely new from scratch, but as searching a space of possibilities.

Imagine yourself walking through a vast hall containing all possible inventions, each one floating in midair like a shimmering possibility. 

As you explore the hall, you start to notice that there is a structure to the space – inventions that are similar to each other are found in the same area, while inventions that are distinct are located far apart from each other. Some parts of the hall are dead-ends, leading nowhere, while others are full of potential, with pathways leading in multiple directions.

Now imagine you’re trying to invent a new kind of computer. The question is, why can’t you just go straight to the “best” computer design in the whole room? Presumably, it would entail a level of performance millions of times beyond our current designs, using technology that is unimaginable to modern science.

Well, when you put it that way, the answer is obvious: you have to proceed through each of the intermediate stages of technology to get to that level. Each invention builds on a previous generation, and you don’t get to skip steps.

Now we can identify what makes our task so challenging: those intermediate steps are not at all predictable. In fact, they often seem bizarre, nonsensical, or completely counter-intuitive until after you’ve taken them.

This isn’t a theoretical example: one of the crucial stepping stones to modern computers in the 1940s was vacuum tubes, which are devices that channel electric current through a vacuum. Yet the potential uses of vacuum tubes were so unexpected that it took over 100 years from their invention until someone realized they could be used in computing.

This might seem like an exceptional example, but it’s closer to the rule:

  • The Wright Brothers invented the first airplanes by reusing bicycle technology, a seemingly unrelated stepping stone.
  • Microwave technology was first invented for magnetron power tubes that drove military radar, until Percy Spencer, an engineer at Raytheon, noticed it melted a chocolate bar in his pocket.
  • In 1879, Constantin Fahlberg, working on coal tar derivatives, accidentally tasted a sweet residue on his hand—leading to the discovery of saccharin, the first artificial sweetener.
  • Wilhelm Röntgen was experimenting with cathode rays when he noticed an unknown form of radiation that passed through solid objects, thereby leading to x-rays.
  • In 1956, engineer Wilson Greatbatch installed the wrong type of resistor into a heart rhythm recorder circuit, accidentally inventing the modern pacemaker.

For each of these landmark accomplishments, fixating too intently on their original goal would paradoxically have blinded their inventors to the world-changing discoveries lying just outside their expectations.

For the most interesting, exciting, impactful achievements, goals are a false compass, distracting you from the highest potential directions. They induce a narrow tunnel vision, eliminating the serendipitous discovery, unorthodox creativity, and breakthrough innovation that are most valuable.

In other words, the best path through the vast hall of possibilities is not a straight one; it’s a twisty turny wild ride of daring leaps and hairpin pivots that would seem positively crazy to any outside observer.

Professor Amar Bhide presents evidence for this in his book Origin and Evolution of New Businesses: 93 percent of all companies that ultimately become successful had to abandon their original strategy—because the original plan proved not to be viable.

Other examples from recent history also confirm the pitfalls of goals:

  • If you focus too much on raising student test scores, you may end up worsening the quality of their education by encouraging rote memorization.
  • If you optimize too much for making as much money as possible and therefore decide to take the highest-paying job, it may lead you away from becoming a millionaire in the long run.
  • Fixating too much on reducing alcohol and drug abuse among young people at all costs might inadvertently lead to the abuse of even more dangerous drugs.
  • Paying citizens to turn in venomous snakes may lead to them breeding snakes as a money-making endeavor (which happened in British-ruled India).
  • Paying executives higher bonuses for higher earnings might lead to short-term profits but a long-term disaster when the firm collapses due to excessive risk-taking.

In all these examples, optimizing a certain measure of success in the short term, which makes it look like you’re moving in the right direction, is in fact leading you away from the long-term objective!

The same principle even applies at the level of individuals and their careers, for example:

  • John Grisham first trained and practiced as a criminal defense attorney for ten years. The trigger for his career change was a particular testimony that he overheard one day from a young rape victim. Somehow that testimony made him realize that he should and could write, and he began waking early in the morning before work to gradually complete his first novel, A Time to Kill.
  • Harland David “Colonel” Sanders (the founder of KFC) cooked for his family as a six-year-old after his father’s death, but would not make a living out of it until he was 40. In between, he tried his luck at piloting a steamboat, selling insurance, and even farming. But the opportunity for success didn’t arrive until he owned a gas station, where he began cooking chicken for his customers.

Building a great career or business might not qualify as a civilizational-scale achievement, but even at this relatively modest scale, objectives can trick us into settling for the known and the predictable instead of the far grander space of possibilities available to us.

An alternative to aimless wandering

The most common objection to this attack on objectives is that, if we don’t have goals, then we’ll be left to “wander around aimlessly.” 

But this book points out that there is another option – there is a way to intelligently explore a search space without the benefit (or drawbacks) of objectives.

The key, the authors tell us, is to “Loosen your requirements for what exactly you’re going to achieve; in other words, you can achieve something great, as long as you are willing to stop demanding what that greatness should be.”

This is such a radical assertion because it flies in the face of the first (and arguably most important) criterion of SMART goal-setting: to be as specific as possible. The demand for specificity is based on the assumption that you can and should control the outcome and that your control is facilitated by zeroing in on the precise details you envision.

Stanley and Lehman would describe this approach as “trying to drag a preconceived vision of the future into the present,” and as “doomed to fail.” 

Their philosophy is better understood as “treasure-hunting.”

Imagine you are part of a treasure-hunting team searching a remote island for lost pirate treasure. You have no treasure maps, but you do know for certain that the island is littered with lots of buried caches.

Your goal is not to arrive at any specific destination on the island, because again, there is no map and no X marking the spot! So any point you arbitrarily choose is likely to contain nothing. Instead, the better search strategy is to pursue novelty, i.e. to try and find places on the island that you haven’t been to before, or even better, that no one has been to before.

There’s far more likely to be a treasure in that hidden underwater cave that no one has even noticed than in the middle of the largest clearing in the middle of the island. That obvious fact points the way to the authors’ recommendation for what we should be optimizing for instead of goals.

How to succeed in a goal-less world

The elimination of objectives might seem like an intriguing idea at this point, but we need some principle to guide our efforts, don’t we?

The authors make six recommendations for what to do instead of setting goals:

  1. Optimize for novelty and interestingness
  2. Follow your gut instinct about which direction is most promising
  3. Hold your plans lightly and be open to changing direction
  4. Pay attention to the past
  5. Double down on what makes you unique
  6. Collect stepping stones

#1 – Optimize for novelty and interestingness

Stanley and Lehman argue that instead of targeting a specific destination, we should optimize for novelty and interestingness

Ideas that are novel and interesting have the tendency to lead to even more novel, even more interesting ideas, in a divergent, branching space of increasing possibilities.

This is deeper than simply trying random things because a novelty-driven search tends to produce behaviors in a certain order: from simple to more complex. This is because as soon as the simple options have been tried, and you keep pursuing novelty, then the only ones left to try are complex!

Eventually, doing something genuinely novel always requires learning about the world, which is why novelty search is inherently about accumulating information (whereas the pursuit of fixed objectives often requires you to ignore new information in service of reaching the goal more efficiently).

As the philosopher Alfred Whitehead put it, “It is more important that a proposition be interesting than it be true.”

#2 – Follow your gut instinct about which direction is most promising

If the structure of the space of possibilities is unpredictable and irrational, that means we have to rely on non-rational means of detecting it: inspiration, elegance, potential to stimulate further creativity, thought-provoking construction, challenge to the status quo, analogy to nature, beauty, simplicity, and imagination, for example.

Our gut – otherwise known as our intuition, instinct, subconscious, or emotions – has access to vastly more information than our conscious minds can consider, which means it can sometimes sense the shape of the network of possibilities in pre-conscious ways.

#3 – Hold your plans lightly and be open to changing direction

A third strategy is to hold your plans lightly and be open to changing directions since we never know when the prerequisites to a breakthrough will fall into place and suddenly make it possible.

Stanley and Lehman write, “To arrive somewhere remarkable we must be willing to hold many paths open without knowing where they might lead.” 

It takes a high degree of open-mindedness to “hold many paths open” in one’s mind without getting overwhelmed or discouraged. It means we have to find a way to explore paths in parallel, or opportunistically, rather than focusing all our resources on one all-important goal, as traditional thinking suggests.

#4 – Pay attention to the past

Fourth, the authors recommend special attention and sensitivity to the past, because the past is what defines what is novel. 

It’s much easier to know what happened in the past, and then escape it, rather than trying to arrive at a specific and unknown future. This might require studying the past, documenting the past, finding out what others have tried and how and why it failed, which goes against modern society’s bias toward the future.

#5 – Double down on what makes you unique

Fifth, a goal-less world frees us to double down on what makes us unique. There is no longer a singular destination that we’re all trying to arrive at, which also means there is no right path or wrong path. 

There are only more or less interesting paths, and one of the best ways of finding a new and interesting path is to look at what qualities, quirks, interests, biases, obsessions, or beliefs most set you apart from others.

Count Basie, who was a respected name in jazz during the birth of rock and roll, described how new musical styles really come about: “If you’re going to come up with a new direction or a really new way to do something, you’ll do it by just playing your stuff and letting it ride. The real innovators did their innovating by just being themselves.”

#6 – Collect stepping stones

Interestingness can be thought of as a network of stepping stones, each connecting to the next in surprising and unconventional ways. As you move through this network, you will come across stepping stones that seem promising, but it’s not clear how, why, or even when – it might be a stepping stone that you can only use years from now when the circumstances are right.

The answer is to keep a collection of those stepping stones in the meantime. We’re talking about information here – ideas, stories, metaphors, anecdotes, facts, theories, frameworks, hypotheses, experiments – which means this can be as simple as taking good notes for the long term.

This is, by the way, a wonderful and accurate way of describing what we’re doing when we build a “Second Brain.” Although I often emphasize the importance of keeping a list of currently active projects – the “P” in PARA – many of the notes you save won’t be directly related to a project, at least not immediately.

That doesn’t matter. As long as you keep an ever-growing collection of inherently intriguing stepping stones, over time the possibility space in which you reside can only expand. You’ll start to see more and more connections from the stepping stones in your collection to new projects, inventions, breakthroughs, people, places, conversations, and on and on.

This also explains why it doesn’t matter all that much whether your notes are comprehensive, or perfectly organized. It doesn’t matter if a given note completely captures the message of a given article, book, podcast, or course. All that matters is that it exists, so you can stumble across it in the future and be provoked to wonder if this is a stepping stone worth following at that moment.

Your main problem will start to become how to choose where to spend your limited time and attention in the face of such a staggering number of exciting possibilities branching out in all directions. But at least that’s the best possible problem to have.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post The Death of Goals appeared first on Forte Labs.

Tiago’s 2025 Projects, Questions, and Intentions

2025年2月24日 21:37

I recently published my 2024 Year-In-Review looking back over the events and lessons from last year.

Now it’s time to look forward – to the goals, plans, and intentions my team and I are committing to for 2025.

The theme I’ve chosen for this year is The Year of Profitability, as our financial results were clearly the biggest weakness last year. Among other things, this means we are:

  • Making profitability the main filter we use to decide which projects to take on
  • Splitting our efforts approximately 50/50 between creating new products and improving our existing ones
  • Keeping the team lean and expenses low, with no new hires this year
  • Returning to live cohort courses, but in a way that’s more sustainable for me
  • Continuing to invest in the Second Brain Membership as our flagship program, and having all roads lead to it from across our ecosystem

I recently sat down with our CFO to identify three numbers that will be our guiding lights this year:

  • To break even on a monthly basis, we need to make $67,000 per month
  • To reach a 30% net margin, we need to make $105,000 per month
  • To limit our labor costs to 40% of our revenue, we need to make $115,000 per month

Rather than waiting until the end of the year to check on these numbers, I’m going to be keeping a close eye on them every month.

With these criteria in mind, here are the main projects we’ve decided to move forward with.

2025 Projects

Launch an official BASB Notion template

After years of requests, we’ve decided to finally create an official Second Brain Notion template! Notion has continued to prove itself as the preeminent knowledge management platform in the world and is the only one to have truly broken out into the mainstream culture.

We are gathering early feedback from our Second Brain members as well as outside Notion experts to come up with a template that is simple and maintains your focus on what matters, which is putting your ideas to use.

Write the Annual Review book

I sold the proposal for my next book in April 2024, and have spent the 9 months since intensively researching every aspect of year-end reviews. I’ve collected and reviewed hundreds of sources, from historical precedents for this practice going back thousands of years, to psychology studies proving the value of self-reflection, to surprising stats indicating that setting New Year’s Resolutions is actually very effective…as long as you do it a certain way.

I officially concluded the “research” portion of the book in early February, and am now working on the manuscript, which needs to be more or less finished by summer 2025, with rounds of editing continuing into the fall. 

If all goes according to plan, I’ll open preorders for my new book next spring, and it will be released around November 2026. From everything I’ve researched and discovered so far, this practice is going to change many lives, and I can’t wait to publish the definitive guide for it.

If you don’t want to wait so long, check out the self-paced edition of my Annual Review program, which includes many of the ideas and techniques that will be featured in the book.   

Produce more implementation-focused YouTube videos

Although our YouTube channel is technically an ongoing “area of responsibility” rather than a one-time project, we are making some changes to how we make videos this year.

Specifically, I’m noticing that the rapid proliferation of AI is starting to commodify many kinds of content. Now that you can hit “auto-summarize” and get a step-by-step summary of a video in seconds, without even having to watch it, the value of the typical “listicle-style” video is declining. We’re going to switch to more implementation-centric, “coaching” style videos, as I think viewers will increasingly want to know the “how,” not just the “what.”

We will also be publishing a range of annual-review-related videos this year to start building interest and momentum for the release of my book in a little less than two years.

Launch our own app and upgrade the Second Brain Membership

It’s been so gratifying to watch the Second Brain Membership flower over the last year since we launched it to the public in spring 2024. Up until then, it had been a private community only for alumni of our cohorts, which meant that it went completely dark for months at a time.

Once we decided to stop offering live cohorts, it made sense to turn that community into an always-on program that runs all year long.

This year I’m excited to share that we are upgrading to Circle Plus, which will enable a range of new features in our community for communication, collaboration, and engagement. The one I’m most excited about is that we are getting our own app! That means instead of asking people to “join our Circle community” (who the heck knows what that means?!) our call to action will be to “Download our app” on Apple’s App Store or the Google Play store.

This move will make the Second Brain community a more prominent and accessible part of our members’ digital lives – a place they can go to whenever they have something to share or something they want to learn.

Debut an official BASB certification

My book Building a Second Brain continues to sell around 10,000 copies each month worldwide, which has produced a constant stream of inquiries and requests for coaching, consulting, or contract work related to Personal Knowledge Management, from individuals to large companies. But as a tiny team, we’re not set up to service those needs.

That’s why we’ve decided this year to pursue creating an official BASB certification, which will qualify graduates of our courses in the knowledge and skills needed to help others build a Second Brain. I’m hoping this will kick off a thriving marketplace of practitioners and service providers as an extension of our products and books.

Create a new AI cohort-based course

Since early 2023 I’ve been contemplating whether and how I could teach a course on AI. The need was overwhelming and clear, but where I had much more doubt was as to my role. 

What knowledge or perspective did I uniquely have to offer in the rapidly evolving AI space? What kinds of skills could I teach people that would remain relevant beyond the next model release? How could I leverage my background, experience, network, and skills into a program that was impactful while also being sustainable?

I’ve wrestled with these kinds of questions a lot over the last couple of years, and although the pace of innovation hasn’t slowed down, I’m finally starting to catch glimpses of some answers.

My point of view on AI is that it is not primarily a technological challenge – it is a historical, cultural, psychological, ontological, epistemological, societal, educational, governmental, intra and interpersonal, economic, and ultimately spiritual revolution that is going to change everything about our world.

I believe that adapting to AI isn’t just a matter of learning some tactics and tools – it will require a deep and fundamental reimagining of who we are, what our purpose is as humans, what it means to live a productive and fulfilling life, and how we conceive of our place in the universe. In other words, it is a holistic, overarching transformation, not a narrow technical one.

Taking on that perspective, I can begin to see how my way of thinking can help people. I can draw on my knowledge of history to surface lessons from past technological revolutions, my facility with moving between cultures to borrow ideas and ways of being, and my propensity to think holistically and in terms of principles to give people firm guidance amidst a roiling sea of change.

I don’t know exactly what this new course will look like, but I do know it will seek to give people fundamental training in the mindset and skills they need to thrive in the AI era. More to come soon!

Host an Annual Review immersive

For the last 7 years, we’ve taught a live virtual program guiding people through completing a year-end review. In 2025, we’re taking that program on the road! Toward the end of the year, we’ll invite a small group of people to our new hometown, Valle de Bravo, Mexico, to participate in a multi-day, immersive experience.

The details are still to be determined, but I intend to make it the most impactful, transformational experience possible, bringing together everything I’ve learned and discovered about how to make this yearly ritual a paradigm-shifting milestone in people’s lives.

We will also of course continue to offer the online program so as many people as possible have a chance to get support in their review process.

If you want to stay updated on any of these projects, subscribe to our newsletter below:

Open questions

Here are the open questions I’m holding for this year:

1. How can I make irreversible decisions to preserve my willpower?

As I wrote in my 2024 year-in-review, I was astounded at how the single decision to move our family to Mexico led to multiple other intentions seemingly naturally falling into place. I can still hardly believe it, and I want to continue looking for other examples where such a principle might also hold.

Instead of having to create a whole project to individually pursue each goal I have, what are other moment-in-time decisions I can make or actions I can take that allow me to feed two (or more) birds with one scone?

2. What experiences do I want to have with Caio and Delia over the next 10–15 years, while they’re small?

One of the most surprising aspects of becoming a parent is that from the moment the kids are born, you are presented with a complete timeline of their lives, and therefore yours.

You know at approximately what age they’ll begin walking, talking, and going to school. You know when they’ll be in each grade, what kinds of travel and experiences they’ll be ready for, and when they’ll start having friends and wanting to hang out with them instead of you. 

You know when they’re likely to leave home, which means suddenly you can predict the window in which you’ll probably spend 90% of all the time you will ever spend with them, which is before the age of 18.

My kids are 2 and 4, which means they’ll finish elementary school in 2031/2033, middle school in 2034/2036, high school in 2038/2040, and college in 2042/2044. I’ll be 46 when Caio finishes elementary school in 2031, 53 when he finishes high school in 2038, and 57 when he graduates from college in 2042. 

I don’t know why, but these dates completely blow my mind! 2042 is only 17 years away – I remember 17 years ago like it was yesterday! I graduated college myself that year, which means I am already halfway between my own college graduation and my son’s. 

Human lifespans keep getting longer, but the window of time we have to spend most intensively with our kids stays the same. Which means that, as a percentage of our lives, our time with our kids is actually shrinking in a way. “Childrearing” is therefore increasingly no longer a lifelong activity, but a discrete stage of life preceded and followed by many other stages.

All of this makes me want to be very intentional about how we spend those childhood years. I know I want to expose them to as many sports, musical instruments, forms of art, cultural experiences, social situations, spiritually transcendent moments, etc., as I possibly can. 

I want to immerse them long-term in at least two cultures – Mexico and Brazil – so they feel deeply rooted and connected to that aspect of their heritage. I know I want to go on many great adventures with them, having precious moments of depth and intimacy, discovering their limits, inventing new things, seeking new frontiers, and tasting everything life has to offer.

I feel far more commitment and determination around these intentions than any business goal, honestly, which leads me to conclude that all my decisions in the business need to be geared to creating the right conditions for what I consider these much more important moments with my family.

3. What does my jealousy of other people tell me is missing in my life?

One of my favorite indicators of what is missing from my life is what makes me jealous of others.

These days I feel an intense jealousy toward highly fit, middle-aged dads. I don’t know how they do it. It’s not primarily the outward markers of abs and a slim figure I’m jealous of, but the internal sense of dignity and self-respect they must feel when they look in the mirror. That is what I’m after, and exercise is going to be the main focus for my personal goals this year.

I’ve already noticed that my attitude toward exercise has to be different living in a rural town versus a dense suburb. It’s not about how many times I can hit the gym, or how many intensive exercise classes I attend. It’s about taking advantage of built-in opportunities to move, from hiking in the mountains we’re surrounded by, to meeting up with other dads in the afternoon for paddleball, to fitting in quick bodyweight workouts whenever I can.

4. What would it look like to pivot BASB toward AI?

When generative AI first exploded into the mainstream a few years ago, I assumed it was the end of the Second Brain methodology I had spent years developing. If anyone could sign up for an AI chatbot that “knew” the entire Internet, why would they spend the time and effort to curate and build their own personal knowledge base?

But as time passes, I’m beginning to think that maybe AI is not a replacement for the Second Brain, but its true fulfillment. 

People still need to read, take notes, learn, and express themselves even with the aid of AI tools. The “context” you bring to any interaction with AI matters more than ever. There are still many reasons it’s worth storing your favorite ideas, stories, insights, and memories in a private place that only you control.

Maybe, just possibly, AI is going to make the process of building a Second Brain much easier and more accessible to more people, which means the demand for my work might go up instead of down. Maybe I was early to the rise of intelligent software, and am now poised to take advantage of my reputation and experience and teach people how to use it.

This line of thinking is sparking a lot of new ideas for me, which I will be exploring in the coming year.

Here are other open questions I don’t even have the beginnings of an answer to, but I notice fill me with a sense of curiosity and wonder:

  1. How can I integrate more anger work into my life and work?
  2. How could I explore and understand my relationship to food this year?
  3. What is the bottleneck in my thinking or behavior that is leading to poor financial results in the business?
  4. What is the business that gives me more of the life I want now?
  5. How can we bring service into our family life?
  6. What is a hobby I can be passionate about, that’s hands-on, that I can do with Caio in Valle?
  7. What is the kind of work that our new home and lifestyle are best suited to?
  8. How can I balance book-writing with all the new initiatives and projects I want to take on this year
  9. How can we have other people generate new ideas using their energy and enthusiasm, instead of continuing to rely on me
  10. What role does the blog play now that I’m not writing as much, and our web traffic is declining
  11. How do we make our community bottom-up instead of top-down?
  12. What would it look like to make Forte Labs a platform for others?
  13. How can I be the kind of leader and manager who inspires people to greatness without me needing to be there?

How I want to spend 2025

As the years pass, I’m increasingly finding that it’s more useful to define exactly how I want to spend my days, as a substitute for goals. Goals have the tendency to require a lot of suffering and sacrifice in the short term, which paradoxically means the more ambitious they are, the worse my life becomes!

As I turn 40 in a few months, I’m not interested in sacrificing current pleasure in order to arrive at a far-off destination anymore. I did that in my 20s so that I would have the life I have now! 

Here are the ways I’ve decided I want to spend my time in 2025, to bring me the happiness, peace, and joy I’ve worked so hard for:

  1. Visiting various gardens, parks, and museums around Valle with the kids—being outside or exploring new places with Lauren and the kids, combining quality family time with exploration, discovery, learning, and fun in a physical setting.
  2. Playing with the kids at home—being physical and wrestling with them, especially in contrast to watching TV.
  3. Spending time in person, in deeply immersive and intentional spaces, with fellow entrepreneurs and creators I know and trust and want to get to know better—helping me feel seen and accepted and connecting on a more personal level, rather than only through my work.
  4. Meeting and connecting with people who are passionate about the same ideas and possibilities, like at my conference, meetups, or elsewhere—I feel like such people are “on the same wavelength” and resonate with how I see the world.
  5. Deep reading and writing for many hours at a time with no other commitments for the day—getting to this level of flow is one of the most deeply gratifying experiences, soothing my soul while also making me proud of the progress I’ve made.
  6. Working on long-term, large-scale, highly novel creative projects—these make me feel like I’m not wasting my time with a bunch of trivial, forgettable projects, but something that matters and that expands who I am and what I’m capable of.
  7. Immersing myself in unusual, novel, complex environments that fully absorb my senses, pull me into the present, and teach me things about myself and the world. For example, museums, new countries and cities, nature, and even online—these environments make me feel embodied and expansive, versus stuck in rumination in my head.
  8. In deep, intimate conversations with people I find interesting, receptive, and self-aware—whether dinners with other couples, coffees with new acquaintances, or spontaneous encounters with strangers in public—these conversations feel profound, curiosity-provoking, moving, like I’m discovering someone else while also discovering aspects of myself at the same time.

If anything I’ve written here resonates with you and you see a way we could work together, don’t hesitate to reach out at hello@fortelabs.com.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post Tiago’s 2025 Projects, Questions, and Intentions appeared first on Forte Labs.

Tiago’s 2024 Year-in-Review

2025年2月10日 19:00

As I write these words, I am crossing the Drake Passage, one of the most remote places on Earth.

We are crossing from Ushuaia at the southern tip of South America to the spit of land known as the Antarctic Peninsula. It is a barren, featureless expanse that isn’t part of any continent or ocean. Currents circle the globe uninterrupted here, driving enormous waves that can reach 40 feet high. 

This is a liminal space if there ever was one, and I feel the echoes throughout history of all the great navigators and explorers who risked their lives to traverse it. At the same time, I’m doing it on a luxury cruise, exquisitely outfitted for every conceivable comfort, creating a strange tension within me between pain and pleasure, past and present, outer and inner discovery.

I’m taking this opportunity to do my annual review, an introspective ritual I’ve practiced for over 15 years. As I close my eyes and allow my emotions to come to the surface, the main one I feel is fear. 

Not toward the 20-foot swells, howling wind, or frozen icebergs starting to loom silently around us. I’m afraid to begin this yearly ritual of looking inside and telling the truth to myself. I’ve done annual reviews so many times before, proclaimed their value to so many others, and now, committed to spending several years of my life writing a book on the subject.

I feel fear about whether I’ll do it right, whether I’ll discover something worthy, whether I’ll make it genuine or too performative, and whether I’ll be so focused on creating value for others that I forget to create value for myself.

I’m afraid I won’t be able to go deep enough, won’t uncover my true self, won’t see the hard truths I need to see, and most of all, won’t receive the benefits I’ve been so loudly promising to others, which would make me a fraud.

At the same time, I also feel tremendous gratitude. To be here on this once-in-a-lifetime cruise. To have achieved everything I’ve achieved while still young enough to enjoy it. To have the privilege of contemplating my life and work so deeply and with so many degrees of freedom. To have so many sources of information, so many people to draw on, and so many ways to see and be seen.

Fear and gratitude, the polar opposites of emotion, are my guiding lights through this passage, both the literal one and the metaphorical one I’m about to undertake in parallel.

A crossroads at 40

I sense that I am at a crossroads in my life as I turn 40 in May.

I revisited my “Life Goals” recently, a document that represented my first foray into the world of goal-setting. I started it when I was 20, after reading my first self-help book and deciding I needed to start writing down my goals.

What strikes me looking at it now is that every goal had an assigned “by when” date, and not a single one of those dates was later than 2025. I simply couldn’t imagine life after 40 as a 20-year-old. That seemed practically like old age at the time.

I’ve spent the last 15 years whittling away at that list of “life goals.” It’s been a north star, constantly reminding me of who I said I wanted to become. And I can see now that that list is finished. Not because I achieved everything on it, but because my idea of what it means to live a good life has changed.

I know now that achievements themselves don’t bring fulfillment or happiness. You have to have them, because pursuing goals gives your life direction, purpose, challenge, and stakes. But ultimately, the goal of any goal is to feel a certain way. 

Emotions are what we are really after, I believe, and these days I’m putting the specific things I want to feel front and center:

  • To recapture a childlike sense of innocence, of unapologetic joy, at the sheer wonder of existence.
  • To find a new direction and purpose for my business and career that fills me with energy and enthusiasm every day while generating its own financial fuel.
  • To understand and love myself more deeply, and to live from that place every day in a pure, unfiltered expression of my inherent nature.
  • To emerge as a more faithful and loving husband, a more caring and present father, a more courageous and skilled entrepreneur, and a more open and committed friend.
  • To feel a profound sense of alignment, determination, clarity, and confidence in the next era of my life and work.
  • To gain newfound freedom and empowerment towards my body and health.

The first thing I do every year as I begin my review is to choose a motto, slogan, theme, or catchphrase, to guide the review itself. This year that motto is “Begin again.”

As I turn 40, it feels like I’m beginning the second half of my life. Statistically, as I reach the approximate halfway point of my biological existence. But also ontologically, as I retire my previous approach to goal-setting and embrace a new philosophy of unfolding into the truest expression of who I’m meant to be.

2024 Wins

Let’s start with the wins!

Book sales

My book Building a Second Brain has been the brightest spot in the business, surpassing 320,000 sales this year in 14 countries and languages so far. It continues to sell about 10,000 copies per month worldwide, which is an incredible pace for any book to sustain and bodes well for the future. 

If we can maintain this pace, we should reach 500,000 copies sold in around 18 months.. I’m crossing my fingers that it reaches that milestone!

We also launched the book in Spanish, and I did a week-long promotional tour in Mexico, which led directly to us finding the town we ended up moving to later in the year. So that’s a pretty unexpected win!

My second traditionally published book, The PARA Method, also continues to sell decently, reaching 25,000 copies sold to date, or 1,400 copies per month on average.

Second Brain Membership

We successfully launched the Second Brain Membership publicly last spring, which I’m very proud of. Previously it had been a private community only for alumni of our live cohorts, but as we retired those, I realized it was time for a perennial, ongoing community where anyone learning about PKM from any source could find a vibrant network of peers to explore alongside.

We now offer weekly and monthly events, ranging from guided weekly reviews with our facilitators, to Q&As with me, to guest workshops on a variety of relevant topics. This year we also launched a 12-month “curriculum” where we’ll tackle one core PKM concept each month, which I’m already seeing the impact of.

We have about 550 active members and are making $22,000 per month in subscriptions. This membership is now our flagship offering within the Second Brain ecosystem, and we have some very exciting new features we plan on adding to it in 2025.

Second Brain Membership Curriculum

Wholesome Weekend #2

We hosted the second annual retreat of the entrepreneurial mastermind I started in 2023, which was one of the absolute highlights of the year for me. There is nothing like spending immersive quality time with a close circle of dear friends and respected peers all generously sharing their expertise across book-writing, YouTube, strategy, AI, online education, and many other fields.

I plan on continuing these retreats indefinitely, as they are deeply meaningful and enlivening. Bringing interesting people together for moments of connection and intimacy feels close to my true purpose, which is all the more surprising since I’ve always seen myself as an introvert.

Wholesome Weekend Group Picture

The first in-person Second Brain Summit

This was a longtime dream of mine and resulted in so many memorable moments, conversations, and new relationships I will treasure for a long time to come. I wrote about the experience in depth in Reflections on Our First In-Person Second Brain Summit, including pictures and a highlight video.

The financial model for a large-scale conference didn’t work out for us, and in general, doesn’t really fit with our business selling education and information products. I think in the future we will likely stick to virtual summits, and perhaps branch out into immersive, in-person “intensives” that bring together much smaller groups for training and personal development instead.

Tiago speaking on stage at the Second Brain Summit

YouTube growth

Our YouTube channel grew by 62,000 subscribers in 2024, to 288,000 total. This was 38% less growth than we saw in 2023, and I’m scaling back my ambitions here as a result. For a while, I thought we had a chance of becoming one of those “hypergrowth” channels that grow to millions of subscribers within a year or two, but the reality is I’m not willing or interested in obsessing over YouTube to the degree that requires. 

The channel is already big enough to do what I need it to do—distribute my ideas to new audiences, test which ones have the most promise, and cultivate readers for my future books.

YouTube Subscriber Graph

The newsletter

We added 22,000 subscribers to our newsletter last year, which was 39% less than in 2023. The newsletter has almost completely flatlined in its growth, which is honestly incredible to me given that our entire content strategy is centered on directing people to sign up for it. 

Many other creators I’ve talked to are seeing similar trends, and I think we’re clearly going through a major upheaval in how online attention flows, driven largely by AI. This is definitely one of the reasons our finances weakened this year, and I don’t know quite what to do about it yet.

Email Subscriber Graph

The Annual Review program

I taught a live course on how to do an annual review for the 7th time in December and January, this time radically expanding it from a 3-day workshop to a 6-week intensive program. I had just spent the previous 6 months deeply immersed in researching the topic for my book, and this was an incredible chance to test all the new ideas and techniques I’d developed on real live humans.

We welcomed 150 students from all over the world to this cohort, and the effects were transformational, beyond my wildest dreams, which has completely reinvigorated my motivation to turn all that material into the definitive book on the subject. That book will be my main focus for 2025, and I can’t wait to share it with the world.

The Annual Review program is now available as a self-paced edition if you want to make 2025 your most intentional year yet.

Here are a few other pictures of my favorite work-related moments in 2024:

Personal milestones and moving to Mexico

This was the first year of my 12-year career that I felt I maintained work-life balance. 

I didn’t overwork, didn’t extend myself, and didn’t sacrifice my present happiness for a future outcome. I can confidently say I’ve found my natural rhythm and learned how to protect the things that truly matter, like my peace of mind and family time. I did a great job respecting my boundaries, preserving my energy, following my needs and wants, honoring my talents and gifts, and giving myself permission to spend my days in joy.

A big reason for this was our move to Mexico, which I’m realizing with each passing month completely transformed the trajectory of our lives.

My wife and I have long struggled to keep our household clean and organized. Every year it was a sore spot, as we seemed to drown under an ever-accumulating pile of unwanted junk, house projects, and chores. It felt hopeless, like we would never find a way to turn it around. And I noticed so many negative impacts on our health, happiness, and family harmony.

We decided to move to Mexico in April 2024 and did so in August. Now that we’ve been here almost 6 months, it’s shocking to me how many of our values and intentions naturally fell into place as a result:

  • We live in a smaller, simpler house with far fewer possessions, which makes it much easier to keep them organized.
  • We can afford full-time help here (which costs about $140 per week, a standard rate), which means we have someone spending 40 hours every week doing all the cooking, cleaning, laundry, and watching the kids when needed.
  • We seem to do much better as renters, with a responsive, handy landlord right down the street who can fix almost anything himself and knows all the local vendors and service providers.
  • We’ve had the intention to spend more time in nature and visit more interesting places with the kids, and that’s also happened naturally as we explored our new mountain town and the surrounding forests.
  • We’ve long wanted to eat more home-cooked meals, and our “muchacha” now cooks all our meals and cleans up afterward. She used to work in a restaurant, and every day I’m blown away by the thoughtfulness and nutritiousness of her cooking.
  • We’ve wanted to be more social and spend more time with friends, and living in Mexico and its hyperactive social scene pretty much takes care of that entirely.
  • We’ve wanted to be more mindful and present with each other as a family and spend less time on screens, which is facilitated by weekly power outages that mean we all have to entertain each other.

It’s just astonishing to me that a single decision, which we didn’t even have on our radar when 2024 began, would completely change our lives just 8 months later. 

Yet in a way, we had also spent years laying the groundwork for it: through our previous experience living in Mexico in 2019, our long-time study of Spanish, pivoting the business to asynchronous products, and getting really clear with ourselves about what wasn’t working about our life in Long Beach, so that when the right opportunity arose, we were ready for it.

This isn’t to say that everything is perfect. Far from it! In a way, resolving one series of problems with our dramatic move just created a whole new set of problems, which is how life goes:

  • Vigorous exercise is more difficult in our small town since there aren’t convenient gyms or group classes, and running on mountain trails feels iffy.
  • We are much further away from our friends and family back home, which means we’ll see them less often, which is painful.
  • Our personal income and lifestyle have started to be constrained by the business’ weakness, which has made it difficult to afford to maintain two households at the same time.
  • Living in Mexico, doing everything in Spanish, and in a small town brings an array of challenges, from navigating Mexican bureaucracy, to figuring out how to find essential products and services when nothing is listed online, to acclimating ourselves and our kids to a new school and social environment.
  • Leaving Long Beach after 4.5 years, it was painful to admit to ourselves that we hadn’t succeeded in creating a strong community of friends there. Partly because so much of our social calendar was taken up with family commitments, but also because we just didn’t make an effort corresponding to our values.

2024 Disappointments

Just as important as celebrating the wins is commemorating the disappointments. I want to absorb whatever lessons these harsh experiences were trying to teach me, rather than sweeping them under the rug. There is no teacher like failure.

The business finances

It was a strange paradox of a year for Forte Labs. 

We reached some huge milestones – $10 million in lifetime revenue and $3 million in lifetime profit – but at the same time, it was the worst year ever for the business financially. We lost $230,000 for the year, a negative 20% profit margin, which was the first time we’ve been in the red in 11 years in business.

As I reflect on why this happened, the proximate causes are clear:

  • We hosted our first in-person conference, but overestimated how many people would attend and underestimated how much it would cost, and therefore lost about $270,000 on the event.
  • Several of our major projects didn’t pan out, such as an initiative to offer B2B corporate training, selling a “certification” to consultants and coaches based on our IP, and launching our self-paced courses in Spanish and Portuguese.
  • I waited too long to shrink the team after it became clear the business would continue to decline in the wake of ending our live cohorts 18 months ago.
  • Our top-of-funnel audience growth via the blog, the newsletter, and YouTube decelerated and plateaued, for a variety of reasons, some of them under my control and some not.
  • Our main lines of business now – self-paced courses, subscription membership, sponsorships, and books – are slow-moving sources of revenue that are spread out over time, rather than making money upfront and all at once like we’re used to with cohorts.

It’s hard to admit these missteps and oversights to myself. As I wrote them out in my notebook, I felt a series of uncomfortable emotions welling up inside me, bringing tears to my eyes: grief, disappointment, guilt, helplessness. It was painful to realize that I’ve somewhat lost faith in myself over the last couple of years of declining fortunes in the business.

Will I ever be able to come up with a hit product like the BASB cohorts again? Will I be able to create something people truly want? Am I capable of finding the right path and figuring out the next chapter?

I think what makes these questions painful isn’t the uncertainty or external consequences they entail, but the break in connection with myself they reveal. Not trusting myself means I can’t trust the journey, can’t trust my experience, can’t trust my future. It contracts the long time horizon that I normally like to focus on into a foreshortened present, fixated on survival.

Yet, now that I’ve written these words, and let a few hours pass gazing at monumental agglomerations of snow and ice out on the deck of our ship, I can already begin to see a few ways of reframing this “story.”

First, I can see that I took a lot of risks and made a lot of investments last year:

  • I risked hosting a full-fledged conference when that wasn’t something Internet creators normally do. I expect those relationships to bear fruit for years to come.
  • I risked selling the proposal for a book when the idea was only amorphous and half-formed, on a timeless practice that will only gain relevance as AI sweeps the world.
  • I risked bringing my most respected peers together for a weekend mastermind retreat in Sonoma, which wasn’t designed to make money but will also bear fruit for years to come.
  • I risked moving my family to Mexico and changing every aspect of our lives in pursuit of a more grounded, culturally connected future for them.

Second, I can see that 2024 was a grand experiment. I was testing the hypothesis that I could run the business without thinking about profitability at all. None of my decisions about which projects to take on were based on their ability to make money.

Framed as an experiment, I can say that the results were exceedingly clear: not prioritizing profitability reliably leads to a lack of profitability! In a funny way, it’s reassuring to know that. And now I can feel grateful that we have the financial reserves to conduct such an experiment without running the business off a cliff.

Third, our financial results indicate in unmistakable terms that the current business model, which was so perfectly suited to the pandemic era, is no longer working. Times have changed, the digital landscape has evolved, and the evidence couldn’t be clearer that we need to evolve with it.

In particular, it’s become very clear that growing an audience isn’t the panacea it once was. Over the last five years, our follower count across all platforms has grown 46x, from 13,000 in March 2020 to 624,000 today. It’s long been an unquestioned article of faith among online entrepreneurs that if you grow a sizable following, the money will naturally come, which is why a majority of my time has always been spent growing that following. But that maxim is breaking down now – it’s entirely possible to have legions of followers, but no corresponding business on the backend.

All this means that the main theme in the business for me right now is “searching”: searching for a new direction, for a new true north, for a winning product and strategy, and for a new identity in the aftermath of the BASB era. 2024 was a year of retrenchment, of retreat, of hibernation, of creating a solid foundation among our existing lines of business, and now I know it’s time to emerge from the winter.

I’ve also published a video sharing 7 insights from 2024 that reshaped how I think about business, life, and growth:


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post Tiago’s 2024 Year-in-Review appeared first on Forte Labs.

新年

作者吴杰
2025年2月5日 22:27
除夕夜从老家回来拍摄的猎户座

时间很快,来不及说点啥,新的一年已经到来。

上一篇文章还在写寒假,这马上就又要开学了。

这段时间以来,有点消沉,有点怀旧,有点焦虑。消沉这平凡的一眼看到头的人生,怀旧那再也回不去的过去,焦虑着这一地鸡毛的生活。

农历新年已经到来,俗话说一元复始万象更新,感觉自己也不能一直这样下去,也需要改变一下。

调整自己,从明天开始。

从明天开始,跑步、看书、工作,

从明天开始,关注孩子的学习,

从明天开始,学会向前看,不再留恋过往,要展望未来,

从明天开始,认真对待生活,早睡早起,

从明天开始,做一个从容的人,打起精神,积极拥抱生活,张开双臂,大喊一声:让暴风雨来得更猛烈些吧!

The Analog Productivity System: Journaling for Every Season of Life

2025年1月27日 10:41

I’m thrilled to share a special guest post by my wife, Lauren Valdez. Lauren approaches productivity in a way that’s refreshingly different from my digital-first philosophy. She’s deeply rooted in the tactile and intentional, favoring physical tools like journals over digital systems. 

Journaling has been her cornerstone for reflection, decision-making, and creativity. I’m excited for her to share her journaling practice with you, not as a “how-to,” but as an inspiring example of how to customize systems that resonate with your life and values. You can find more of her ideas, thinking, and work on her Substack newsletter.

Over to Lauren!

For a decade, I bounced between task managers like a serial dater afraid of commitment. Asana to Things, Todoist back to Things, Apple Reminders… Each new app promised to fix my life, but left me more overwhelmed than before. My digital task lists grew into monsters that paralyzed me with anxiety, so I would dump them and start again.

Then my husband Tiago hit me with a truth bomb: ‘I think the problem is you, not the tool.’

Damn him for being right. What I really needed wasn’t another sleek productivity app – I needed a way to face the mess in my head.

I needed a simpler, more intentional way to manage not just my tasks, but my emotions. I needed a way to manage my anxiety that gets in the way of starting a task. I needed a way to simplify overwhelming amounts of information. I needed to find pleasure in my productivity system, rather than it feeling like a burden. 

That’s when I turned to pen and paper.

Lauren’s Journaling Practice: Intentionality, Flexibility, and Joy

Journaling isn’t just something I do—it’s a way I make sense of life and stay true to my values. My journals help me slow down, reflect on highs and lows, and make more intentional decisions. They’re my tools for staying present and navigating life with purpose.

Lauren's four journals

Here’s a look at how I use journaling, organized around the rhythms of daily, weekly, monthly, and annual reviews. Each journal has a unique purpose, and together, they form a system that’s messy, intuitive, and deeply personal.

1. Morning Pages: Daily Reflection (3–5x per Week, 15–30 Minutes)

I use a cheap school notebook for this nearly daily practice inspired by Julia Cameron’s The Artist’s Way. Morning Pages are simple: write three pages by hand about whatever is on your mind. It’s messy, unfiltered, and deeply cathartic.

This practice is my brain dump—a space to clear my head of thoughts, reflections, and feelings. I often write about what happened the day before, including funny things my kids said or little moments we didn’t photograph but I want to remember. I also confront my anxieties, writing out absurd thoughts and reframing them as though I were compassionately giving advice to a friend with the same worries. Some days, I plan my day or draft ideas for work. Other days, big emotions surface, and I rage write–raging my complaints or my pains on the page. It’s my space to get things I would never say aloud out of my head and let them go. It’s always a surprise.

At the end of the year, I reread these pages. It’s humbling and inspiring to see how much I’ve grown, and I rediscover moments of joy and resilience I’d forgotten. When I skip this practice, my day is often less intentional and more chaotic—but that’s okay too.

2. Bullet Journal: Task Management and Notes (3–5x per Week, 15 Minutes)

It’s funny that the feature that makes digital tasks managers so great – quick capture, it the reason I can’t use them. I’m a people pleaser who defaults to saying yes. When I’m quickly capturing tasks, I’m not intentional about what I want to do. My digital lists eventually became so bloated that I spent more time organizing the lists than taking action. It was hard to find, organize, and prioritize what really mattered. I also an indecisive Libra; the more tasks on my list, the more paralyzed I become trying to figure out what to work on.  On top of that, I didn’t have consistent habits for maintaining those systems—like daily or weekly reviews—to keep things up to date.

Eventually, I discovered Ryder Carroll’s Bullet Journal system for managing my tasks and notes by hand in a paper notebook. I plan out my day and write out my tasks for the day by hand. I also carry my notebook around and take handwritten notes in meetings and even take notes on books I am reading by hand. 

What I love about the bullet journal system is how it makes me feel more deliberate about what I say yes to in my life. 

My #1 productivity principle is: what is simple is sustainable. Writing tasks by hand keeps things simple. It also makes me pause and think. If I don’t want to bother rewriting a task, I have to ask myself, “Does this really matter?” That moment of hesitation often helps me let go of things that don’t align with my priorities.

On most days, I average only about three tasks, and that’s enough. I don’t always do exactly what I set out to do, but I always update my bullet journal with what I actually did and see that all the tasks I used to not track digitally like doing laundry, going to yoga, and cooking dinner are big tasks that need to be celebrated too. There is also something that feels so good about crossing off a task physically with a pen. 

Ryder writes in his book, “Everything on your list has to fight for its life to stay there. More accurately, each item needs to fight for the opportunity to become part of your life.” That principle has transformed how I manage my time and energy.

Even though my bullet journal is primarily for tasks, it’s also where I take notes and plan projects. I create messy, functional spreads to brainstorm ideas, plan trips, or track habits like my sleep. Writing by hand takes longer than using an app, but it saves me time in the long run. Digital tools can be distracting—if I open my phone to track a habit, there’s a 90% chance I’ll get sucked into notifications and forget why I picked it up in the first place. By staying analog, I avoid that entirely.

You’ll notice my bullet journal isn’t cute or Instagram-worthy. For me, it’s about processing and getting things out quickly. The messiness is the beauty.

Above: I managed a mini hallway and living room remodel just using my bullet journal, planning my ideas, tracking the budget, and staying on top of the vendors. 

3. Weekly Review Journal: Reflecting on the Week (1x per Week, 45 Minutes)

For a decade, I struggled to maintain a weekly review practice. I knew it was important, but it always felt like a chore. Reviewing my week on a Sunday felt boring, and by Monday or Friday, I rarely had the time or motivation to sit down and do it.

That changed this past year when I found a weekly review system that I actually enjoy. My second productivity principle is, what is pleasurable is motivating. By making my weekly review pleasurable, it’s become a ritual I look forward to.

Most Sunday evenings, after the kids are asleep, I take out my weekly review journal. First, I flip through my phone’s photos from the week and pick 2–4 favorites to print using my sticker printer. Then, I go through my bullet journal to jog my memory and write a one-page summary of the week. I capture funny quotes from my kids, moments of joy, and even the harder things I experienced.

Life moves so fast, that I’m surprised by how much I forgot by Sunday. Sometimes I sit down feeling like I didn’t do enough or that the week was full of challenges. But as I reflect and write, my perspective shifts. I start to see how much I accomplished and am reminded of how beautiful life is, even in the hard moments.

My favorite part of this practice is how much I revisit this journal. Unlike a traditional scrapbook that might sit on a shelf, this journal becomes a living document I flip through regularly. Each page tells the story of a week, creating a wonderful summary of the year as a whole.

Lauren's Weekly Journal Example

This ritual started because I failed to make a scrapbook as part of my 2023/2024 annual review. I had printed over 100 photos, bought stickers, stencils, and gel pens, and spent hours trying to create something perfect. But I bit off more than I could chew, and the project felt overwhelming.

That failure inspired this simpler practice—small, consistent reflections captured in real time. My weekly review journal is messy and imperfect, but it’s become one of my favorite ways to savor life and stay grounded.

The journal itself is nothing fancy—just an affordable notebook from Amazon. It holds up well to photos and marker pens, and my sticker printer makes it easy to capture memories. The photo quality isn’t great, but it gets the job done.

4. My Spell Book: Manifesting Goals and Intentions (Monthly & Annually)

Okay this is where I get a bit woo and may lose some of yall, but this practice is how I make something like goal-setting fun and playful. I like to call this my Spell Book because it feels magical! It’s where I reflect on what I’ve accomplished and write out my hopes, dreams, and visions for the future.

If you have ever set out to create a project, you have dared to put something into existence that never existed before.

That’s magic.

Creating something from nothing is one of the greatest powers we possess as humans.

Whether it’s sending out a newsletter, cooking a meal, hosting a dinner party, or bringing humans into the world, that’s creation.

It’s easy to forget all the things we accomplish and my monthly and annual review rituals are how I remind myself of how magical I am.

Some might call this goal-setting, but that term doesn’t resonate with me. Traditional goal-setting has often felt rigid and intimidating—like I’m setting myself up for failure if I don’t achieve something exactly as planned.

Instead, my Spell Book is about flowing with life’s cycles. My cousin introduced me to moon rituals, and they completely transformed how I approach reflection and intention-setting. Now, every new moon feels like a mini New Year’s celebration for me. We often associate rituals with religion. But a ritual is just a rite, practice, or consistent series of steps. There is something that makes me more motivated to perform a ritual where I light candles and put on a reflective playlist. I feel more enlivened practicing my new moon ritual, rather than a monthly review. The former feels spiritual, a practice I honor for myself, while the latter feels like something I’m supposed to do.

Here’s how it works: I use the new moon to reflect on the past moon cycle. I ask myself questions like, What were the highs and lows? What lessons did I learn? What do I want to let go of? Then, I set an intention for the next moon cycle—something I want to create, embody, or grow into.

On the full moon, I revisit my intention and recalibrate if needed. This practice reframes goals for me, turning them into a cyclical, embodied process. Instead of feeling like I’ve failed if I don’t meet a rigid target, I’m reminded that life ebbs and flows. Each moon cycle is an opportunity to start fresh.

New Moon Ritual

This journal also serves as the home for my annual and birthday reflections. When I sit down for my birthday review, I flip through the past year’s moon reflections. It’s amazing how easy it is to see patterns, growth, and recurring themes. What used to feel overwhelming—looking back on an entire year—now feels manageable and even joyful.

I love choosing a special notebook for my Spell Book. Right now, I’m using one I found on Etsy, and I had it engraved to make it feel even more personal. The journal is both functional and beautiful, and that adds to the sense of ceremony and ritual I bring to this practice.

For me, this isn’t just about setting goals—it’s about connecting with myself, aligning with my values, and embracing the natural rhythms of life.

Big Picture Thoughts

Journal AND Digital

Journaling works for me because it matches how I process life. That doesn’t mean I’ve abandoned digital tools entirely—I still use my second brain systems like my calendar, Evernote, and Notion. These tools are indispensable for managing complex projects or tracking long-term details.

When something important comes up in my journals, it often transitions to my digital tools. Conversely, when my digital tools feel too overwhelming or disconnected, I come back to pen and paper. Writing by hand grounds me, especially when fear or paralysis sets in. Journaling helps me clarify what I’m doing and regain my momentum.

Systems Change as You Change

Over the years, my systems have evolved with me. Early in my career, when I was focused on execution, digital tools helped me manage a high volume of tasks and details. As my responsibilities shifted to leadership and decision-making, I needed a different approach. That’s when my moon rituals became essential—they gave me space to think strategically and navigate tough conversations.

Motherhood was another turning point. During my postpartum years, my brain often felt fractured, like a horcrux split into pieces. Journaling became my lifeline. It gave me uninterrupted time to process my thoughts, and my morning pages habit finally stuck.

And now, I’m moving into a space where I am journaling less and using more embodied practices like meditation to clear the gunk or move me past my fears. 

If you’ve tried and failed to start a journaling practice, it might not have been the right season of life for you. That’s okay. Systems aren’t static—they should adapt to your needs as they change.

Making Time and Saving Time

People often ask how I make time for all of this. The truth is, these practices bring me so much relief and joy that I crave them. I look forward to journaling, so I naturally make time for it.

Journaling also saves me time. Without it, I’d waste hours working on the wrong things, burning myself out, or spiraling in fear and anxiety. There have been countless moments when I was completely stuck on a project. After just 15 minutes of journaling, the answer became clear, and I eliminated 80% of what felt overwhelming.

I also keep things simple. I don’t try to make my journals pretty or perfect. If anything, the messiness ensures privacy—it discourages nosy people from reading what I write. Logistically, most of my journaling happens after the kids are asleep. Sometimes that means waking up early or skipping TV at night, but the payoff is worth it.

Staying Flexible

I’ve learned that I fail at any system that’s too rigid. Life isn’t predictable, and my journaling practice reflects that. There are weeks when I journal a lot and weeks when I barely touch my notebooks. Sometimes I miss my weekly reviews for two or three weeks. That’s okay. There’s no one “right” way to do this.

Make it Simple and Pleasurable

If you want journaling to become a habit, start small and keep it simple. Maybe set a 15-minute timer or decide to journal only when you’re traveling. Experiment until you find something that sticks.

And make it pleasurable! Invest in beautiful notebooks and pens that inspire you. Take your journal on a hike and reflect during a break. Treat yourself to a journaling date with a lavender latte at your favorite café. When you associate journaling with joy, it becomes less of a task and more of a ritual you look forward to.

Journaling has been my companion through the seasons of life—helping me reflect, navigate challenges, and celebrate the moments that matter. Whether you’re drawn to pen and paper or prefer a digital system, what matters most is finding a practice that feels true to you. 

Start small, experiment, and let your journaling evolve with you. It doesn’t need to be perfect or pretty—just something that helps you stay connected to yourself and your values.

You can find more of Lauren’s ideas, thinking, and work on her Substack newsletter.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post The Analog Productivity System: Journaling for Every Season of Life appeared first on Forte Labs.

年味

作者吴杰
2025年1月26日 22:23

时间真快,后天就是除夕了,竟一点过年的感觉都没有,偶尔听到零星的爆竹声响起,才想起原来真的要过年了。

对于我来说,感觉过年好像没有那么重要了,总觉得一年太快了,有时甚至在想,如果能两三年过一次就好了。

但对于孩子来说,大概还是需要营造一些过年的氛围来的,就像小时候的我们,总是盼望着过年一样。

明天该去买点东西了,准备一些好吃的好喝的,然后学着小时候我的父母亲那样,在热气腾腾的厨房里,炸一些年货,亲自做一些美味的食物,时不时让孩子进来尝一尝,最好让孩子也参与其中,忙一忙。然后再去给孩子买一些鞭炮来玩,爆竹声声中,大概这年味也就出来了。

不知道为什么,随着年龄的增长,感觉对这些节日的感觉越来越淡了,再也找不回小时候的样子了。

但孩子还是需要节日的,生活还要继续,再难也要高高兴兴的 。

又到寒假

作者吴杰
2025年1月10日 20:14
三初北门腊月的天空

今天女儿期末考试了,现在期末考试也改革了,变成了无纸笔的乐考,老师问,学生答,只要能说出来就行。考试结果也不出分数,只分 ABC 三档,女儿语文考了 AABB ,数学考了 AAAB ,平时考试还可以,这乐考到是得了几个B,不过也还可以,才小学二年级,没必要过分追求成绩,开心快乐的童年才是最重要的。

儿子要到下周二才考,周二周三考两天,考完也就正式放寒假了。终于可以好好休息了,这个学期感觉他是真的累,八门课,晚上基本每科都有作业,做完都要到11点多,早上天不亮就要起床,真是不容易。

这个学期感觉过得特别快,仿佛刚过完暑假一下子就到了寒假一样,记忆好像还停留在暑假热火朝天打乒乓球的场面。

不管怎么说,寒假已经拉开了序幕,但寒假生活是孩子们的,我却不能停歇,当然,忙里偷闲还是要找时间陪孩子们玩一玩。

另外,最近这流感比较凶猛,已中招,平时要多锻炼身体。

购买了 Mac Book Air

作者吴杰
2025年1月1日 13:41

很早就想更换笔记本了,之前的笔记本是 2013 年在北安买的 Dell 灵越,由于主力机是台式机,所以这台笔记本用的也不多,后来就沦为孩子们的动画片播放器了。

十一年过去了,这台戴尔笔记本俨然已经老旧,已经不适合做开发工作了,所以决定换了它,就让它安心地当个播放器吧。

再有一周多点就要放寒假了,神兽出笼根本无法工作,现在入手了新笔记本,到时就可以背起电脑找个清静的地方继续干活了。

第一次用 Mac Book,系统还不太熟悉,不过用起来感觉还不错。

2024 沉沦的一年

作者吴杰
2024年12月25日 10:54

最近看到大家都在写年终总结,我也凑个热闹写写吧,虽然今年过得不咋样,但好坏都是一年。

今年算是彻底废了,废的彻头彻尾。

自年初痔疮手术以来,赖以生存的淘宝店铺仿佛一下子被打入了冰窖,一个客户也没有。在完成了去年遗留的订单之后,就再也没有新订单了,没有订单,就意味着没有收入,这一年是在焦虑困苦中度过的。

失去了淘宝这个阵地,一下子很不适应,心里还在幻想着有一天能再次好起来,事实证明,好不起来了,经过了各种尝试,大概也就这样了。到目前为止,基本已经接受了这个结局,但一个人想要从一个长期固定的模式走出来,去探索新的出路,是很难的。尤其到了我这个不上不下的年纪,在家庭、孩子、贷款等各种压力下,去调整心理,调整思想,探索一个新的出路,我感觉真的是难上加难。

这一年来,烦躁、郁闷、焦虑一直伴随着我。

以前,一直幻想着自己做产品,如果产品能够成功,说不定就是一个转机,但是一直没想好要做什么产品,找不到需求,不能解决痛点,很难做出一个成功的产品。或许该放弃这条路,想想别的。

最近,一个新计划一直萦绕在脑子里,隐约感觉这个计划是可行的,只要有足够的执行力,最近就要去做这件事,没有太多的时间可以浪费。

希望这个计划能拯救我的2025,不能让这种状态继续下去了,要尽快走出来。

Rediscover Your Year: A Cheat Sheet for Reflecting with the Help of Tech

2024年12月23日 19:00

At the end of each year, I sit down to reflect on my milestones and memories—big and small—that shaped the past 12 months. It’s become one of my favorite rituals to celebrate progress and set the stage for what’s next.

Thankfully, technology can do a lot of the heavy lifting, making this process easier and more fun. If apps are already tracking so much of our lives, why not turn that data into a tool for reflection?

Here are some of my favorite shortcuts to use technology as a mirror for self-reflection and self-understanding:

Social Media

  • Instagram Highlights or Stories Archive: Check what you’ve shared publicly or privately saved as Stories
  • Facebook Memories: Review your “On This Day” feature for posts, comments, and photos from the year
  • X Bookmarks or Top Posts: Look for posts you bookmarked or those that received the most engagement (via analytics)

Productivity & Notetaking

  • Notion, Evernote, Obsidian, or other notetaking apps: Search your notes for key tags, projects, or frequent topics
  • Daily Journaling Apps (e.g., Day One or Reflectly): Review your daily or weekly entries to find personal highs, lows, or repeated themes
  • Task manager or project management apps: Look back through projects completed, milestones reached, challenges overcome
  • Calendar apps: Look through past events, meetings, special dates, etc.

Communications

  • WhatsApp or Text Messages: Scroll through photos, links, or memorable exchanges from key conversations
  • Emails: Use search terms like “thank you,” “congratulations,” or “milestone” to surface important exchanges

Finance

  • Bank Statements or Budgeting Apps (such as YNAB): Look at major purchases or investments, which often signify big life events or changes
  • Amazon Orders or Receipts: Review purchases that reflect memorable moments (e.g., items bought for vacations, hobbies, or special occasions)

Health & Fitness

  • Step-Tracking Apps (e.g., Apple Health or Fitbit): Review your best months, longest walks, or exercise streaks
  • Meditation Apps (e.g., Calm or Headspace): Look at your most meditated days or longest streaks
  • Diet Tracking Apps (e.g., MyFitnessPal): Spot trends or standout meals you might have recorded

Writing & Creativity

  • Drafts or Google Docs: Look for essays, brainstorms, or personal reflections you started but maybe didn’t finish
  • Art/Design/Drawing Apps (e.g., Procreate, Adobe Express): Find completed or in-progress creative works

Travel

  • Google Maps: Check your timeline, showing you where you’ve been the past year
  • Airline or Hotel Loyalty Accounts: Review your flight or hotel history to recall travels or trips
  • Trip Planning Apps (e.g., TripIt, Hopper): See itineraries or trips you had on your calendar

Learning

  • Online Course Platforms (e.g., Coursera, Udemy, Maven): Check what courses you started or completed
  • Language Apps (e.g., Duolingo): Reflect on your language-learning streaks or new skills

Content

  • Music: Check your Spotify Wrapped playlist or “Liked Songs” playlist
  • YouTube videos: Review your watch history, or “Liked videos” playlist
  • Netflix and other streaming services: Review your watch history
  • Books: Review your ratings on Goodreads or the books you’ve read on your Kindle
  • Photo apps: Look through your “favorited” album on your smartphone; or photos/videos you’ve shared via text message (which tend to be the best ones) 

A lot of these depend on which apps you currently use and how you use them, but I always find many meaningful tidbits that I’d completely forgotten about.

Want to see how all this comes together? Check out my annual reviews here for inspiration and ideas on how to craft your own.


Follow us for the latest updates and insights around productivity and Building a Second Brain on X, Facebook, Instagram, LinkedIn, and YouTube. And if you’re ready to start building your Second Brain, get the book and learn the proven method to organize your digital life and unlock your creative potential.

The post Rediscover Your Year: A Cheat Sheet for Reflecting with the Help of Tech appeared first on Forte Labs.

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